Aspetti Socio-Culturali della Musica Elettroacustica

Musicology of Electroacoustic Music [MEM]  ]

Poiché la musica è un fenomeno culturale, lo studio dei suoi aspetti socioculturali permette una migliore comprensione della sua collocazione in una data cultura o tempo. La musica elettroacustica, che rappresenta un punto estremo nella storia della musica, ha avuto un’influenza considerevole sulla cultura che l’ha vista nascere. Con questo termine generale si intende lo studio della musica elettroacustica a partire da punti di vista sociologici e antropologici.

 

Links

UNESCO DigiArts

- History of electronic music in Asia and the Pacific ( English )
- History of electronic music in Latin America and the Caribbean ( English )
- Introduction à l’histoire et à l’esthétique des musiques électroacoustiques: Session 4 - Ruptures technologiques: révolutions esthétiques? ( French )
- Young Digital Creators: The sound of our water ( English , French , Spanish )
- Young Digital Creators: Scenes and sounds of my city ( English , French , Spanish )

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

1-60 | 61-120 | 121-180 | 181-240 | 241-300 | 301-360 | 361-382 | >> 60 next

Aharonian, Coriún (1975). Processus de création musicale en Amérique latine
Aharonian, Coriun, Appleton, Jon, Beyls, Peter, Boeswillwald, Pierre, Buxton, Bill, Chiarucci, Henri, Clozier, Christian, Ferreyra, Beatriz, Goethals, Lucien, Hanson, Sten, Kotonski, Wlodzimierz , Küpper, Leo, Pignon, Paul, Menard, Philippe, Nilson, Leo, Rudnik, Eugeniusz, Savouret, Alain (1975). La musique électroacoustique en 5 thèmes
Ang, Minni K. (2001). Recent and Emerging Work in Music Technology in Southeast Asia
Arias, Ricardo (1998). From the Margins of the Periphery: Music and Technology at the Outskirts of the West - A Personal View
Ashline, William H. (2003). The Pariahs of Sound: On the Post-Duchampian Aesthetics of Electro-acoustic Improv
ASUAR, José Vicente (1959). En el umbral de una nueva era musical (At the doorstep of a new musical era)
ASUAR, José Vicente (1972a). Música con Computadores: ¿cómo hacerlo..? (Music with computers: how to do it..?)
Ayers, Lydia (2005). Synthesising Chinese Flutes Using Csound
Bach, Glenn (2003). The Extra-Digital Axis Mundi: Myth, Magic and Metaphor in Laptop Music
Barrière, Jean-Baptiste (1992). Le sensible et le connaissable
Battier, Marc (1995a). Une nouvelle géométrie du son. Le paradoxe de la lutherie électronique
Battistelli, Giorgio (1995). Tecnologia e drammaturgia (Technology and dramaturgy)
Beaucage, Réjean (2004). Le courant électrique dans Montréal/Nouvelles Musiques
Bernardini, Nicola, Vidolin, Alvise (1995). Piccola economia della musica elettronica (The micro-economics of electronic music)
Berry, Rodney, Dahlstedt, Palle (2003). Artificial Life: Why Should Musicians Bother?
Beyls, Peter (1978). History and development of IPEM Studio
Boehmer, Konrad (1990). Aspects socio-esthétiques de la musique électronique
Born, Georgina (1995). Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde
Bosma, Hannah (1998a). Gender and Electroacoustics
Bosma, Hannah (1998b). The Death of the Singer Authorship and Female Voice in Electroacoustic Music
Bosma, Hannah (2003). Bodies of Evidence, Singing Cyborgs and Other Gender Issues in Electrovocal Music
Bossis, Bruno (2003a). Introduction à l’histoire et à l’esthétique des musiques électroacoustiques
Brown, Andrew (2003). Electroacoustic music in Asia and the Pacific
Burt, Warren (2001). Expanding Contexts for Computer Music: One Composer’s Experience
Byrne, David (2002). Machines of Joy: I Have Seen the Future and It Is Squiggly
Calon, Christian (1993). Aujourd’hui = hier + demain
Camargo, Lucio Edilberto Cuellar (2000). The Development of Electroacoustic Music in Colombia, 1965-1999: An Introduction
Canazza, S., Vidolin, A. (2001). Introduction: Preserving Electroacoustic Music
Cascone, Kim (2003). Grain, Sequence, System: Three Levels of Reception in the Performance of Laptop Music
Chadabe, Joel (2000b). Remarks on Computer Music Culture
Chadabe, Joel (2004a). Electronic Music and Life
Chambers, Evan K. (1994). The Computer Music World View: Sketch of an Ethnomusicological and Aesthetic Approach
Chen, Tsai-Wei (2006). Sonic Constellations: Taiwanese sojourners’ listening experiences in London
Chion, Michel (1994). Musique, Médias et Technologies
Clarke, Eric (1997). Perception and Critique: Ecological Acoustics, Critical Theory and Music
Clozier, Christian (1975). Le groupe de musique expérimentale de Bourges
Clozier, Christian (1978). Notes for a Criticism of Musical Economy: Prolegomena (Reflexion - References - propositions)
Cody, Joshua (1996). An Interview with Paul Lansky
Coelho de Souza, Rodolfo (2005). The Use of Brazilian Folk Instrument Sounds in a Concerto for Computer and Orchestra
Collins, Nick (2003a). Generative Music and Laptop Performance
Commission on Electronic Music, (1977). Electronic Music in Sweden
Copeland, Darren (1995). Cruising For A Fixing in this “Art of Fixed Sounds”
Copeland, Darren (2003). Survival Strategies for Electroacoustic Music
Corringham, Viv (2006). {Urban Song Paths}: place resounding
Cory, Mark E. (1992). Soundplay: The Polyphonous Tradition of German Radio Art
Courchene, Kim S. (2001). A Conversation with Beatriz Ferreyra
Cox, Cindy (2003). Wounds like Flowers Opening: a Discussion of {Hysteria} for Trombone and Four-Channel Tape
Cremaschi, Andrea , Giomi, Francesco (eds.) (2005a). Il suono trasparente. Analisi di opere con live electronics (Transparent sound. Analyses of live electronic works)
Croft, John (2007). Theses on liveness
Cubitt, Sean (1997). Online Sound and Virtual Architecture (Contribution to the Geography of Cultural Translation)
Dack, John (2002a). Histories and Ideologies of Synthesis
Dal Farra, Ricardo (1996). A Southerner’s Perspective
Dal Farra, Ricardo (2006a). A Journey of Sound through the Electroacoustic Wires. Art and New Technologies in Latin America (Un voyage du son par les fils électroacoustiques : L’art et les nouvelles technologies en Amérique Latine)
Dal Farra, Ricardo (2006b). Something Lost, Something Hidden, Something Found: electroacoustic music by Latin American composers
Dart, William, Elmsly, John, Whalley, Ian (2001). A View of Computer Music from New Zealand: Auckland, Waikato and the Asia/Pacific Connection
Davies, Hugh (1986). Storia ed evoluzione degli strumenti musicali elettronici (Historical evolution of electronic music instruments)
Davies, Hugh (2001a). Gentle Fire: An Early Approach to Live Electronic Music
De Benedictis, Angela Ida (2004a). Scrittura e supporti nel Novecento: alcune riflessioni e un esempio ({Ausstrahlung} di Bruno Maderna) (Writing and support in 20th century music: some remarks and an example ({Ausstrahlung} by Bruno Maderna))
Delalande, François (1996). Musique électroacoustique, coupure et continuité
Delalande, François (2001). Qu’est-ce que l’électroacoustique ?

 

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