Aspetti Socio-Culturali della Musica Elettroacustica

Musicology of Electroacoustic Music [MEM]  ]

Poiché la musica è un fenomeno culturale, lo studio dei suoi aspetti socioculturali permette una migliore comprensione della sua collocazione in una data cultura o tempo. La musica elettroacustica, che rappresenta un punto estremo nella storia della musica, ha avuto un’influenza considerevole sulla cultura che l’ha vista nascere. Con questo termine generale si intende lo studio della musica elettroacustica a partire da punti di vista sociologici e antropologici.

 

Links

UNESCO DigiArts

- History of electronic music in Asia and the Pacific ( English )
- History of electronic music in Latin America and the Caribbean ( English )
- Introduction à l’histoire et à l’esthétique des musiques électroacoustiques: Session 4 - Ruptures technologiques: révolutions esthétiques? ( French )
- Young Digital Creators: The sound of our water ( English , French , Spanish )
- Young Digital Creators: Scenes and sounds of my city ( English , French , Spanish )

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

1-60 | 61-120 | 121-180 | 181-240 | 241-300 | 301-360 | 361-382 | >> 60 next

Jaeger, Timothy (2003). The (Anti-) Laptop Aesthetic
Johnson, Phylis, Needham, Jay (2004). Mediated Music & Meditation in Modernity: Radio Pop and Train Whistles in Public and Private Spaces
Johnson, Roger (1991). Machine Songs 1: Music and the Electronic Media
Johnson, Roger (1994). Technology, Commodity, Power
Jones, Stuart (2001). Making It Up as You Go Along
Kaegi, Werner (1971). Music and Technology in the Europe of 1970
Kahn, Douglas (1999). Noise, Water, Meat: A History of Sound in the Arts
Kahn, Douglas (2003). Christian Marclay’s Early Years: An Interview
Kasdan, Leonard, Appleton, Jon H. (1989). Tradition and Change: The Case of Music
Kaske, Steven (1985). A Conversation with Clarence Barlow
Kaufman, Dieter (1972). Studio de Vienne. L’Autriche et la musique expérimentale
Kaufman, Dieter (1978). Uber die Funktion von Experimentalstudios
Keller, Damián (2000). Compositional Processes from an Ecological Perspective
Keyes, Christopher J. (2005). Recent Technology and the Hybridisation of Western and Chinese Musics
Klein, Georg (2003). From the Sound Installation to the Sound Situation: On my work transition - {berlin - junction eine klangsituation}
KOENIG, Gottfried Michael (1998). Studium im studio (1959)
Kotonski, Wlodzimierz, Barrière, Françoise, Clozier, Christian (1975). Wlodzimierz Kotonski parle de la musique expérimentale en Pologne
Kuljuntausta, Petri (1997). ‘Charm of Sound’: Something new in the Finnish contemporary music scene?
Laliberté, Martin (1993). Informatique musicale : utopies et réalités 1957-1990
Laliberté, Martin (2004). Aux origines des “nouvelles technologies musicales” : virtuosités et archétypes
Landy, Leigh (1991). What’s the Matter with Today’s Experimental Music: Organized Sound too Rarely Heard
Landy, Leigh (1994c). Composition and Performance in the 1990s.
Landy, Leigh (1995). Computer-Musik ein guter Grund, zu Hause zu bleiben? Ja und nein
Landy, Leigh (1996). Quality {and} Quantity (if we’re lucky) {or} Marcuse’s problem ain’t been solved yet
Landy, Leigh (1998b). Digital Music Technology Can Aid in Bringing Music Back as a Part of Life
Landy, Leigh (1999b). Heightening Access and Cohesion within the Worlds of Electroacoustic Music: The Promotion of Triangulation in Creativity, Development and Scholarship
Landy, Leigh (2001a). From Algorithmic Jukeboxes to Zero-time Synthesis: A potential A-Z of music in tomorrow’s world (a conference provocation)
Landy, Leigh (2002b). La synthèse sonore: enfin l’émancipation?
Landy, Leigh (2004). There’s Good News and There’s Bad News: The impact of new technologies on music since the arrival of household electricity and the phonograph including potential adventures to look forward to
Landy, Leigh (2007a). Understanding the Art of Sound Organization
Lansky, Paul (1990). A View From the Bus: When Machines Make Music
Lewis, Andrew (1992). The Undiscovery of Electroacoustic Music
Lewis, George E. (2000). Too Many Notes: Computers, Complexity and Culture in {Voyager}
Lewis, Peter Tod (1978). Electronic Music at the University of Iowa
Ligeti, Lukas (2000). Beta Foly: Experiments with Tradition and Technology in West Africa
Loubet, Emmanuelle (2000). Laptop Performers, Compact Disc Designers, and No-Beat Techno Artists in Japan: Music from Nowhere
Luening, Otto (1989). Electronic Music
Lyon, Marianne (2001). La musique électroacoustique au CDMC : données et éléments de réflexion
Lysloff, René T. A. (2003a). Musical Life in Softcity: An Internet Ethnography
Lysloff, René T. A., Gay, Leslie C. jr (2003b). Introduction: Ethnomusicology in the Twenty-first Century
Machover, Tod (1981). Le compositeur et l’ordinateur : quelques réflexions
Machover, Tod (1986). A Stubborn Search for Artistic Unity
Maggiolo, Daniel (2002/2003). Soundscape Research in Uruguay
Malsky, Matthew (2003). Stretched from Manhattan’s Back Alley to MOMA: A Social History of Magnetic Tape Recording
Marinelli, Elisabetta (ed.) (1995). Il complesso di Elettra. Mappa ragionata dei centri di ricerca e produzione musicale in Italia (The Elettra Complex. Mapping research centres and musical production in Italy)
Marsh, Charity, West, Melissa (2003). The Nature/Technology Binary Opposition Dismantled in the Music of Madonna
Martin, Jean (2000). An Interview with Trevor Wishart
McCartney, Andra (1995a). A Prelude to Ea Gender Issues
McCartney, Andra (1995b). The Ambiguous Relation (1/2)
McCartney, Andra (1995c). Inventing Images: Constructing and Contesting Gender in Thinking about Electroacoustic Music
McCartney, Andra (1996). The Ambiguous Relation (2/2)
McCartney, Andra (2000d). Sounding Places with Hildegard Westerkamp
McCartney, Andra (2003). In and Out of the Sound Studio
Merzbow (Masami Akita), (1999). The Beauty of Noise
Metzelaar, Helen (2004). Women and ‘Kraakgeluiden’: The participation of women improvisers in the Dutch electronic music scene
Milicevic, Mladen (1996). The Impact of Fractals, Chaos, and Complexity Theory on Computer Music Composition
Milicevic, Mladen (2001). Cyberspace Memes
Miller, Paul D. (aka. Dj Spooky that Subliminal Kid) (2004). Rhythm Science
Miranda, Eduardo Reck (2001). Composers and Computer Music Technology in Brazil
Monahan, Gordon (1995). Kinetic Sound Environments as a Mutation of the Audio System

 

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