[  Sound Production and Manipulation [SPM]  ]

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Bossis, Bruno (2002a). La vocalité artificielle : un portrait en musique
Bossis, Bruno, Couprie, Pierre (2003). Tutorials : sound and music applications
Ciamaga, Gustav (1975). The Tape Studio
Coelho de Souza, Rodolfo (2005). The Use of Brazilian Folk Instrument Sounds in a Concerto for Computer and Orchestra
Collins, Nick (2002a). Experiments with a New Customisable Interactive Evolution Framework
Dahlhaus, Carl (1974). Ästhetische Probleme der elektronischen Musik (Aesthetic problems related to electronic music)
Davis, Deta S. (1988). Computer Applications in Music: A Bibliography
Deutsch, Herbert A. (1976). Synthesis: An Introduction to the History, Theory, and Practice of Electronic Music
Dodge, Charles, Jerse, Thomas A. (1985). Computer Music Synthesis, Composition, and Performance
Dwyer, Terence (1975). Making Electronic Music: A Course for Schools
Ernst, David (1977). The Evolution of Electronic Music
Fels, Sidney, Gadd, Ashley, Mulder, Axel (2002). Mapping Transparency through Metaphor: Towards more expressive musical instruments
Fischman, Rajmil (1994a). Sound Processing in {Los Dados Eternos}
Keane, David (1980b). Tape Music Composition
Lazzarini, Victor E. P. (1998). A Proposed Design for an Audio Processing System
Mion, Philippe, Nattiez, Jean-Jacques, Thomas, Jean-Christophe (1982). L’envers d’une œuvre. {De Natura Sonorum} de Bernard Parmegiani
Risset, Jean-Claude (1992a). Composing Sounds with Computers
Risset, Jean-Claude (2002). Examples of the Musical Use of Digital Audio Effects
Rudy, Paul (2001). Separation Anxiety: Metaphoric transmutations from a paradoxical biological instrument, or: What is a cactus doing in our concert hall?
Teruggi, Daniel (1995). Les développements de la recherche informatique au Groupe de recherches musicales de l’Institut national de l’audiovisuel (INA-GRM)
Whalley, Ian (2004). PIWeCS: Enhancing human/machine agency in an interactive composition system
Whalley, Ian (2005). Traditional New Zealand Mäori Instruments, Composition and Digital Technology: Some recent collaborations and processes
Young, John (2004). Sound Morphology and the Articulation of Structure in Electroacoustic Music

 

Subsections

• Brassage

• Chorus (Coro)

• Constructed Continuation

• Fader Gesture (Uso Gestuale del Potenziometro)

• Flanging

• Gating/Ducking

• Limiting

• Phase-shifting (Spostamento di Fase)

• Reverse (Suono letto al contrario)

• Scrubbing [Tape scrubbing]

• Strong Action

• Time-scaling (scala tempo)

• Time-stretching (espansione temporale)

• Transfer Function (funzione di trasferimento)

• Vocoding (Vocoder)

• ADSR [attacco o transitorio d’attacco, decadimento, sostenimento sustain, estinzione release]

• Addensamento Spettrale

• Campionamento e tenuta (Sample and Hold)

• Compressione

• Congelamento

• Convoluzione

• Distorsione costruttiva

• Eco

• Edizione (Editing)

  • Montaggio

• Equalizzazione

• Espansione

• Feedback, larsen, retroazione

• Filtro

• Generatore d’inviluppo

• Harmoniser / Harmonising

• Inseguitore d’inviluppo

• Interpolazione (Morphing)

• Inviluppo

• Loop

• Modellazione spettrale (Spectral Shaping)

• Modulazione

• Morfologia

  • Morfologia Intrinseca / Morfologia Imposta

• Phasing (Modulazione di fase)

• Plug-in - Plugin

• Ritardo (Delay)

• Riverbero

• Temporal shaping

• Trasformazione del suono

  • Intermodulazione

  • Interpolazione (Morphing)

  • Trasfomazione orientata al processo

  • Trasformazione in Tempo Reale

• Trasposizione di altezza (Pitch-shifting)

• Trasposizione

• Variatore di velocità
• Time-compression

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