Fonte Sonora

Sound Production and Manipulation [SPM]  ]

Termine generalmente associato alla musica elettroacustica ‘classica’ che privilegia la nozione di materiale, in quanto studiato e sviluppato in studio durante il processo di composizione. Il termine si riferisce semplicemente all’origine fisica del materiale: per esempio un corpo vibrante registrato in studio, un ambiente sonoro, l’uscita audio di un sintetizzatore. Pu˛ indicare anche le unitÓ strutturanti nella concezione o costruzione di un opera, per esempio i grani sonori o le vocali o consonanti estratte da una parola. Il termine “sorgente” pu˛ essere utilizzato come sinonimo di fonte.

 

See also

Evento sonoro

,

Oggetto sonoro

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Dahlhaus, Carl (1974). ─sthetische Probleme der elektronischen Musik (Aesthetic problems related to electronic music)
Fujii, Koichi (2004). Chronology of Early Electroacoustic Music in Japan: What types of source materials are available?
Holm-Hudson, Kevin (1996). John Oswald’s {Rubaiyat (Elektrax)} and the Politics of Recombinant Do-Re-Mi
Hoopen, Christiane ten (1994b). The music of Franšois Bayle from one listener’s point of view: re-presentation versus representation
Mion, Philippe, Nattiez, Jean-Jacques, Thomas, Jean-Christophe (1982). L’envers d’une œuvre. {De Natura Sonorum} de Bernard Parmegiani
Palombini, Carlos (1993). Pierre Schaeffer, 1953: towards an Experimental Music
Palombini, Carlos (1993a). Pierre Schaeffer: from Research into Noises to Experimental Music
Palombini, Carlos (1993b). Pierre Schaeffer’s Typo-Morphology of Sonic Objects
Palombini, Carlos (2002). Musique ConcrŔte Revisited
Truax, Barry (1996c). Sounds and Sources in {Powers of Two}: Towards a contemporary myth
Wyse, Lonce (2003). Free Music and the Discipline of Sound

 

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