Macro struttura

Structure, Musical [Str]  ]

Termine generale per indicare la creazione o identificazione di entità più grandi rispetto al livello delle unità sonore, utilizzato per controllare l’architettura di un brano elettroacustico; da considerarsi complementare alla Micro Struttura, o livello micro-strutturale.

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Alvarez, Javier (1989). Rhythm as Motion Discovered
Barrett, Natasha (2000b). A Compositional Methodology Based on Data Extracted from Natural Phenomena
Boehmer, Konrad (2002). Koenig - Sound Composition - {Essay}
Criton, Pascale (2005). Mutation and Processuality in the Musical Thought of Horacio Vaggione
Decroupet, Pascal, Ungeheuer, Elena (2002). Through the Sensory Looking-Glass: The Aesthetic and Serial Foundations of {Gesang der Jünglinge}
DeLio, Thomas (2002). {Diamorphoses} by Iannis Xenakis
Fischman, Rajmil (1999). Score of {Point-virgule} (Electro-clip by Jean-François Denis)
Giomi, Francesco, Ligabue, Marco (1998). Evangelisti’s Composition Incontri di Fasce Sonore at WDR: Aesthesic-Cognitive Analysis in Theory and Practice
Hatzis, Christos (1998). {The Law of One}: Recursive structures in composition
Keller, Damián, Capasso, Ariadna (2000). Social and Perceptual Processes in the Installation {The Trade}
Kohl, Jerome (2002). Serial Composition, Serial Form, and Process in Karlheinz Stockhausen’s {Telemusik}
Kröpfl, Francisco (1996). An Approach to the Analysis of Electroacoustic Music
Laliberté, Martin (2005). An Analytic Approach to Horacio Vaggione’s {Till}
Licata, Thomas (2002a). Luigi Nono’s {Omaggio a Emilio Vedova}
Mary, Mario (2006). L’orchestration électroacoustique. Une approche particulière à la composition électroacoustique. Ses liens avec la musique instrumentale et ses applications dans le domaine de l’analyse musicale
Risset, Jean-Claude (1991b). Timbre, Analysis by Synthesis: Representations, Imitations, and Variants for Musical Composition
Roads, Curtis (2001b). The Time Domain
Sedes, Anne (2005). Aspects of Time in the Music of Horacio Vaggione
Truax, Barry (1980b). Timbral Construction as a Stochastic Process
Truax, Barry (1982). Timbral Construction in {Arras} as a Stochastic Process
Truax, Barry (2001c). Time and Electroacoustic Music
Twombly, Kristian (2002). Oppositional Dialectics in Joji Yuasa’s {The Sea Darkens}
Ungeheuer, Elena, Decroupet, Pascal (1998). Through the Sensory Looking-glass: the Aesthetic and Serial Foundations of {Gesang des Jünglinge}
Vaggione, Horacio (1994). Timbre as Syntax: A Spectral Modeling Approach
Vaggione, Horacio (1998b). Transformations Morphologiques et Echelles Temporelles
Vaggione, Horacio (2003). Composition musicale et moyens informatiques : questions d’approche
Vaggione, Horacio (2005). Notes on {Atem}
Xenakis, Iannis (1985). Music Composition Treks

 

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