Structure, Musical [Str]  > 

Micro struttura


Concetto strettamente legato a quello di Gesto. Ha un posto fondamentale nella teoria della spetromorfologia di Denis Smalley. Smalley scrive: “la causalità, reale o presunta, non è legata solamente all’intervento fisico del soffio, della mano o delle dita, ma può ugualmente essere associata agli avvenimenti meccanici o naturali, alle analogie visuali, alle esperienze psicologiche esperite o mediate dal linguaggio e dal paralinguaggio, in qualsiasi occorrenza che sembri provocare una conseguenza, o in qualsiasi conseguenza che sembri essere stata provocata da un’occorrenza”. La causalità è particolarmente importante della situazione dell’ascolto acusmatico. (Fonte - Denis Smalley (1986). Spectro-morphology and Structuring Processes, in Simon Emmerson, ed. The Language of Electroacoustic Music. Basingstoke: Macmillan.)


See also

Acusmatico, ca









English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Adkins, Matthew (1999). Acoustic Chains in Acousmatic Music
Bayle, François (1986a). Écouter et comprendre
Bayle, François (1999b). Penser le son aujourd’hui
Bayle, François (2000). Principes d’acousmatique
Bossis, Bruno (2005d). L’intervocalité ou les avatars de la voix dans le matériau sonore
Castanet, Pierre-Albert (2001b). Luc Ferrari: Mnemosyne mise à nu
Chion, Michel (1986a). Une ontologie de la musique concrète
Emmerson, Simon (1994b). ’Live’ versus ’Real-time’
Emmerson, Simon (2000b). ‘Losing Touch?’: The Human Performer and Electronics
Field, Ambrose (2000). Simulation and Reality: The New Sonic Objects
Gerwin, Thomas (1997a). In Acoustic Ecology and Integral Art: Outlining a Concept of Today’s Music
Hoopen, Christiane ten (1994a). Issues in Timbre and Perception
Lopez, Francisco (1998). Schizophonia vs. l’object sonore: soundscapes and artistic freedom
MacDonald, Alistair (1995). Performance Practice in the Presentation of Electroacoustic Music
Mandolini, Ricardo (2006). Musique informelle, musique électroacoustique : une convergence insoupçonnée ?
Normandeau, Robert (1993). ... et vers un cinéma pour l’oreille
Risset, Jean-Claude, Contcharoff, Paul (2001). Interview de Jean-Claude Risset
Smalley, Denis (1994). Defining Timbre - Refining Timbre
Smalley, Denis (1995b). La spectromorphology: une explication des formes du son
Smalley, Denis (1996). La spettromorfologia: una spiegazione delle forme del suono.
Smalley, Denis (1997). Spectromorphology: Explaining sound-shapes
Tiffon, Vincent (2005). L’image sonore : la présence invisible
Vaggione, Horacio (1998a). L’espace composable. Sur quelques catégories opératoires dans la musique électroacoustique
Wishart, Trevor (2000). Sonic Composition in {Tongues of Fire}
Young, John (1994). The Extended Environment
Young, John (1996). Imagining the Source: The Interplay of Realism and Abstraction in Electroacoustic Music



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