Spettromorfologia

Structure, Musical [Str]  ]

La spettromorfologia considera il materiale sonoro e le strutture musicali dal punto di vista delle spettro, delle altezze disponibili e dell’evoluzione temporale del suono. I concetti e la terminologia della spettromorfologia sono strumenti utili per la descrizione e l’analisi delle esperienze di ascolto. Questi elementi si riferiscono all’interazione tra lo spettro del suono (spettro) e la sua evoluzione o la sua forma nel tempo (morfologia). Lo spettro non può esistere senza la morfologia e viceversa ; ogni suono deve avere una forma, e ogni forma deve avere un contenuto sonoro. Tuttavia, benché siano collegate, le due dimensioni nella teoria devono essere separate in modo da poter essere descritte. La spettromorfologia presenta elementi appartenenti a varie discipline (visive, linguistiche, biologiche, geografiche) e le adatta all’esperienza musicale.

Un approccio spettromorfologico mira a studiare i processi e i modelli spettrali e morfologici producendo un modello per comprendere le relazioni e le componenti strutturali sperimentate nella percezione temporale del flusso musicale. (Fonti - Denis Smalley (1986). Spectro-morphology and Structuring Processes, in Simon Emmerson, ed. The Language of Electroacoustic Music. Basingstoke : Macmillan) ; Denis Smalley (1997). Spectromorphology : Explaining Sound-shapes. Organised Sound Vol. 2, No. 2. Cambridge : Cambridge University Press).

 

See also

Analisi uditiva, analisi all’ascolto

,

Causalità

,

Discorso sulla Musica Elettroacustica

,

Gesto

,

Reti / Campi Indicativi (Indicative Fields / Networks)

,

Esperienza di Ascolto

,

Modalità di ascolto

,

Morfologia

,

Teoria schaefferiana

,

Analisi spettrale

,

Spettro

,

Surrogacy

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Bernardini, Nicola, Rudi, Jøran (2002). Compositional Use of Digital Audio Effects
Ferreira, Giselle Martins dos Santos (1997). A Perceptual Approach to the Analysis of J. C. Risset’s {Sud}: Sound, structure and symbol
Fischman, Rajmil (1997b). Analysis of {Crosstalk}: A work by Michael Vaughan
Gates, Philippa, Rudy, Paul (2005). Spectromorphology Hits Hollywood: Morphology, Objectification and Moral Messages in the Sound Design of ‘Black Hawk Down’
Harchanko, Joseph (2003). Spectro-morphology and Structure. An Analysis of Gilles Gobeil’s {Le Vertige Inconnu}
Kendall, Gary S. (2006). Juxtaposition and Non-motion: Varèse bridges early modernism to electroacoustic music
Landy, Leigh (2007a). Understanding the Art of Sound Organization
Menezes, Flo (1997). To Be and Not To Be: Aspects of the Interaction Between Instrumental and Electronic Compositional Methods
PATTON, Kevin (2007). Morphological notation for interactive electroacoustic music
Smalley, Denis (1982a). Problems of Materials and Structure in Electro-Acoustic Music (part 1)
Smalley, Denis (1982b). Problems of Materials and Structure in Electro-Acoustic Music (part 2)
Smalley, Denis (1986). Spectro-morphology and Structuring Processes
Smalley, Denis (1991). Spatial Experience in Electro-acoustic Music
SMALLEY, Denis (1992a). Can electroacoustic music be analysed? (La musica elettroacustica può essere analizzata?)
Smalley, Denis (1993). Defining Transformations
Smalley, Denis (1995b). La spectromorphology: une explication des formes du son
Smalley, Denis (1996). La spettromorfologia: una spiegazione delle forme del suono.
Smalley, Denis (1997). Spectromorphology: Explaining sound-shapes
Smalley, Denis (1999). Établissement de cadres relationnels pour l’analyse de la musique postschaefferienne
Thoresen, Lasse, Hedman, Andreas (2007). Spectromorphological analysis of sound objects: an adaptation of Pierre Schaeffer’s typomorphology
Truax, Barry (1982). Timbral Construction in {Arras} as a Stochastic Process
Vaggione, Horacio (1996b). Articulating Microtime
Whalley, Ian (1999). Beyond Pitch/Duration Scoring: Towards A System Dynamics Model Of Electroacoustic Music
Wyatt, Scott A. (1999). Investigative Studies on Sound Diffusion/Projection
Young, John (2002a). The Interaction of Sound Identities in Electroacoustic Music
Young, John (2004). Sound Morphology and the Articulation of Structure in Electroacoustic Music

 

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