Paesaggio Sonoro

Disciplines of Study [DoS]  > 

Comunicazione acustica

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Ambiente di suoni (o ambiente sonoro) nel quale l’accento Ŕ messo su ci˛ che Ŕ percepito e compreso da un individuo o da una comunitÓ. Dipende dunque dalla relazione tra l’individuo e l’ambiente. Il termine pu˛ riferirsi sia ad ambienti reali che a costruzioni astratte come le opere musicali o il montaggio su nastro considerato come ambiente artificiale. Lo studio sistematico delle relazioni tra gli esseri umani e gli ambienti sonori Ŕ detto ecologia del paesaggio sonoro (soundscape ecology), mentre la creazione, miglioramento o modellizzazione di qualsiasi ambiente appartiene all’ambito del design del paessagio sonoro (Soundscape Design). (Fonte - Barry Truax - Handbook for Acoustic Ecology CD-ROM Edition. Cambridge Street Publishing, 1999 - CSR-CDR 9901).

 

Links

UNESCO DigiArts

- Young Digital Creators: The sound of our water ( English , French , Spanish )
- Young Digital Creators: Scenes and sounds of my city ( English , French , Spanish )

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

B÷hme, Gernot (2000). Acoustic Atmospheres: A Contribution to the Study of Ecological Aesthetics
Corringham, Viv (2006). {Urban Song Paths}: place resounding
Couprie, Pierre (2001d). Le vocabulaire de l’objet sonore
DeLaurenti, Christopher (2004). Intermissions with the orchestra
Droumeva, Milena (2004). The music must always play: redefining the public and private
Dunn, David (2001). Nature, Sound Art, and the Sacred
Emmerson, Simon (2000c). Time Regained
Feld, Steven, Palombini, Carlos (2001). Thoughts on Recording Soundscapes
Ferrington, Gary (2001). Acoustic Ecology and Environmental Studies: A New Academic Home for the Teaching of Ecoacoustics
Gontcharoff, Paul (2001). PrÚsentation gÚnÚrale et ÚlÚments d’analyse
Iges, JosÚ (2000). Soundscapes: A Historical Approach
Kaltenecker, Martin (2005). L’en-delÓ du concret, notes pour une physionomie musicale de Michel Chion
LaBelle, Brandon, Breitsameter, Sabine (2002). Questionnaire
Lopez, Francisco (1998). Schizophonia vs. l’object sonore: soundscapes and artistic freedom
McCartney, Andra (2000c). Soundscape Composition and the Subversion of Electroacoustic Norms
McCartney, Andra (2000d). Sounding Places with Hildegard Westerkamp
McGinley, Robin (2001). Stockholm Soundscape Project: New Directions in Music Education
Mestral, Charles de (1991). La composition de l’espace public sonore
Mulder, Robert, Allick, Kristi (2002). {Fragrances of Time and Space}: An Omniscape Installation
Nishimura, Atsushi (2005). A Tiny Field for Soundscape Design: A Case Study of the Soundscape Museum in Osaka, Japan
Norman, Katharine (1996). Real-World Music as Composed Listening
Paine, Garth (2005). {Endangered Sounds}: a sound project
Schafer, Murray R. (1991). Acoustic Space
Schafer, R. Murray (1993). Voices of Tyranny Temples of Silence
Schafer, R. Murray (1994). The Soundscape: Our Sonic Environment and the Tuning of the World
Schafer, R. Murray (2001). Music and the Soundscape
Schryer, Claude (2001). The Sharawadji Effect
Truax, Barry (1995a). The Composition of Environmental Sound at Simon Fraser University
Truax, Barry (1996b). Soundscape, Acoustic Communication and Environmental Sound Composition
Truax, Barry (1999a). Handbook for Acoustic Ecology
Velasco, Daniel (2000). {Island Landscape}: Following in Humboldt’s Footsteps through the Acoustic Spaces of the Tropics
Von Der Weid, Jean-NoŰl (2004). Dans la tripe bruyante du monde: Murray Schafer
Westerkamp, Hildegarde (2001). Speaking from Inside the Soundscape
Wrightson, Kendall (2002). An Introduction to Acoustic Ecology

 

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