Analogue Electroacoustic Music

Genres and Categories [G&C]  ]

Analogue Electroacoustic Music refers simply to the means of production in the studio or in the performance of Live Electonic Music. Of interest to Electroacoustic Music Studies is the relationship between the working methods associated with equipment such as the magnetic tape recorder, voltage-controlled synthesizer, mixing desk, and the aesthetics of the music produced by such means. The human-machine interfaces involved in analogue studios differ enomously from those of a computer, and permit a diverse range of approaches, from the highly methodical and formal to the highly physical and improvisatory.


See also:

Digital Aesthetics, Digital Music, Electronic Music, Live Electronics, Musique Concrète, Tape Music



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Alphabetical order - Chronological order

Appleton, Jon H., Perera, Ronald C. (1975). The Development and Practice of Electronic Music
Chion, Michel (1982). La musique électroacoustique
Clarke, Michael (1999b). Revisiting {Kontakte}: Issues of History, Performance and Intuition
Courchene, Kim S. (2001). A Conversation with Beatriz Ferreyra
Dack, John (2003a). Can the Analogue Past Inform the Digital Present?
INA-GRM, (2000). La musique électroacoustique
Manning, Peter (2006). The significance of {techné} in understanding the art and practice of electroacoustic composition
Toop, David (2005). Sound Body: The Ghost of a Program
Wicha, Hansjörg (1999). Das Siemens-Studio für elektronische Musik in Münichen
Wishart, Trevor (1978). Red Bird: A Document