Electronic Music

Genres and Categories [G&C]  ]

Originally, music in which the sound material is not pre-recorded, but instead uniquely generated electronically, historically through oscillators and noise generators, currently digitally. There are some, particularly in the United States, who use this term today as a synonym for electroacoustic music. The German equivalent, Elektronische Musik has more precise historical connotations, referring to electronically generated post-serial composition that commenced in the early 1950s in the broadcast studios in Cologne. In French, electronic music is also currently used as a synonym for genres of popular electronic music such as techno.




- Introduction à l’histoire et à l’esthétique des musiques électroacoustiques: Session 1 - Quelques réflexions sur les relations entre le son et la musique ( French )
- Introduction à l’histoire et à l’esthétique des musiques électroacoustiques: Session 3 - Du sonore à l’artistique: le timbre musical reconsidéré ( French )



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Delalande, François (2001). Qu’est-ce que l’électroacoustique ?
Delalande, François (2003a). Le paradigme électroacoustique
DeLio, Thomas (2002). {Diamorphoses} by Iannis Xenakis
Denis, Jean-François (2000). L’électroacoustique au Canada
Deutsch, Herbert A. (1976). Synthesis: An Introduction to the History, Theory, and Practice of Electronic Music
Di Scipio, Agostino (2002a). A Story of Emergence and Dissolution: Analytical Sketches of Jean-Claude Risset’s {Contours}
Doati, Roberto (1991). György Ligeti’s {Glissandi}: An Analysis
Doati, Roberto, Vidolin, Alvise (1986). Nuova Atlantide. Il continente della musica elettronica 1900-1986 (New Atlantis. The electronic music continent 1900-1986)
Doornbusch, Paul (2004). Computer Sound Synthesis in 1951: The Music of CSIRAC
Dürr, Bernard (1975). Valeur et plus value (hypothèses pour l’analyse musicale)
Ebbeke, Klaus (1990). La vue et l’ouïe - Problèmatique des partitions dans la musique électro-acoustique (en particulier chez Karlheinz Stockhausen)
Eimert, Herbert (1957). Musique électronique
Emmerson, Simon (1986). The Relation of Language to Materials
Eric, Zoran (1995). {Signs}, by Srdjan Hofman, a Directory for the Use of Live Electronics in the Process of Creating Real Musical Time
Ernst, David (1977). The Evolution of Electronic Music
FABBRI, Franco (1998). Invenzioni, espropri, saccheggi: la “musica elettronica” è anche popular (Inventing, expropriating, stealing: “electronic music” is also popular)
Fellot, Luc (1959). La musique électronique : une source inépuisable de jeux sonores inédits
Ferrari, Giordano (1994). Vers un scénario imaginaire : l’opéra radiophonique italien
Ferrari, Luc, Delalande, François (1989). Entretien Luc Ferrari, les avants-gardes musicales
Ferrari, Luc, Warburton, Dan (1998). Luc Ferrari
Ferrari, Luc, Zanési, Christian (1996). Entretien avec Luc Ferrari
Gaburo, Kenneth (1989). Murmur
GALANTE, Francesco, PESTALOZZA, Luigi (eds.) (1998). Metafonie. Cinquanta anni di musica elettroacustica (Metaphonies. Fifty years of electroacoustic music)
Giomi, Francesco (1995). The Work of Italian Artist Pietro Grossi: from Early Electronic Music to Computer Art
Giomi, Francesco, Ligabue, Marco (1998). Evangelisti’s Composition Incontri di Fasce Sonore at WDR: Aesthesic-Cognitive Analysis in Theory and Practice
Glanville, Ranulph (2001). Between Now and Then: The Auto-Interview of a Lapsed Musician
Gray, D’ Arcy Philip (2004). David Tudor in the Late 1980s: Understanding a Secret Voice
Griffiths, Paul (1979). A Guide to Electronic Music
Griffiths, Paul (1979). A Guide to Electronic Music
Griffiths, Paul (1984). Three works by Jonathan Harvey: the electronic mirror
Gripp, Ragnar (1975). La musique expérimentale en Suède
Harvey, Jonathan, Corlaix, Omer (1999). Jonathan Harvey, l’âme ailée
Harvey, Jonathan, Lorrain, Denis, Barrière Jean-Baptiste, Haynes, Stanley, (1984). Notes on the realization of Bhakti
Harvey, Jonathan, Palmer, John (1999). Jonathan Harvey
Heifetz, Robin Julian (Ed.) (1989b). On the Wires of Our Nerves: The Art of Electroacoustic Music
Heikinheimo, Seppo (1972). The Electronic Music of Karlheinz Stockhausen. Studies on the Esthetical and Formal Problems of its First Phase
Hiller, Lejaren, A., Isaacson, Leonard M., (1959). Experimental Music: Composition with an Electronic Computer
Hinkle-Turner, Elizabeth (2006). Women Composers and Music Technology in the United States
Holmes, Thom (2002). Electronic and Experimental Music
Humpert, Hans Ulrich (2004). L’évolution technologique de la musique électronique au cours des 50 dernières années et son influence sur le travail du compositeur
Hyde, Joseph (2003). Off the Map? - Sonic Art in the New Media Landscape
Höller, York (1988). La situation présente de la musique électronique
INA-GRM, (2000). La musique électroacoustique
Jameux, Dominique (1984). Boulez and the “machine”. Some thoughts on the composer’s use of various electro-acoustic media
Kaegi, Werner (1971). Music and Technology in the Europe of 1970
Kahn, Douglas (2004). A Musical Technography of John Bischoff
Karpen, Richard (2003). An Interview with James Dashow
Keane, David (1989a). Some Practical Aesthetic Problems of Electronic Music Composition
Koenig, Gottfried Michael (1967). Notes on the Computer in Music
Koenig, Gottfried Michaël (1972). Studium im Studio (1959)
Koenig, Gottfried Michael (1979). {Projekt Eins} - Modell und Wirklichkeit ({Projekt Eins} - Model and reality)
Koenig, Gottfried Michael (1987). Genesis of Form in Technically Conditioned Environments
KOENIG, Gottfried Michael (1998). Studium im studio (1959)
Koenig, Gottfried-Michäel (1972). CEM Fondation Gaudeamus à Bilthoven
Kohl, Jerome (2002). Serial Composition, Serial Form, and Process in Karlheinz Stockhausen’s {Telemusik}
Kröpfl, Francisco (1995). Experiences and Reflexions on Electroacoustic Music
Küpper, Léo (1975). Élaboration de la musique électronique à partir d’un ordinateur musical. Tendance à l’automatisation de la composition. Génération d’un monde sonore autonome par interstimulations d’automates sonores
Küpper, Léo (1978). New Possibilities of Vocal Music: Phonèmes, Allophones, Phonatomes, Logatomes, Phonetic Microsounds
Küpper, Léo (1998). Expérimentations et prospections
Laske, Otto (2002). Subscore Manipulation as a Tool for Compositional and Sonic Design