Similar to multimedia/intermedia, this term refers to work in which artists with specialisations in various media work together to form new work, ideally based on the notion of holism, i.e., that the work itself is greater than the sum of its constituent parts. In most cases, electroacoustic interdisciplinary artwork involves an audio-visual context.
Bibliography: LE CORBUSIER, (1957). Der Modulor
XENAKIS, Iannis (1957). Le Corbusier’s ‚Elektronisches Gedicht’ (Philips Pavillon der Brüsseler Weltausstellung - 1958)