Audio-vision

A term created by Michel Chion to describe the holistic combination of sound and image, that is where each element heightens each other and cannot be reduced to the sum of its individual elements. (Source - Dictionnaire des arts médiatiques: http://www.dictionnairegram.org)

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Alves, Bill (2005). Digital Harmony of Sound and Light
Bennett, Justin (1999). BMB con.: Collaborative Experiences with Sound, Image and Space
Brophy, Philip (1990). The Architecsonic Object: Stereo Sound, Cinema & {Colors}
Chion, Michel (1986b). Cinéma et musique cousmatique. Centrement et linéarisation
Chion, Michel (1991). L’art des sons fixés ou la musique concrètement
Chion, Michel (1998). Le son
Chion, Michel, Coppe, Dimitri (1998). Interview Michel Chion
Courribet, Benoît (2005). Réflexions sur les relations musique/video et stratégies de mapping pour MAXMSP/Jitter
Dannenberg, Roger B. (2005). Interactive Visual Music: A Personal Perspective
Franco, Enrique, Griffith, Niall J. L., Fernström, Mikael (2004). Issues for Designing a flexible expressive audiovisual system for real-time performance & composition
Harris, Yolande (2006). Inside-out instrument
IRCAM-Hyptique, (1999). Dix jeux d’écoute
Langlois, Philippe (2002). Bernard Parmegiani au service de la recherche
Machover, Tod (1986). A Stubborn Search for Artistic Unity
Parmegiani, Bernard (1975). Jeu du son et de l’image
Pellegrino, Ronald (1983). The Electronic Arts of Sound and Light
Redolfi, Michel, Zanési, Christian (1996). Entretien avec Michel Redolfi
Rudi, Jøran (2005a). Computer Music Video: A Composer’s Perspective
Stanza, (2002). www.amorphoscapes.com - Online Interactive Audiovisual Generative Digital Paintings
Ulyate, Ryan, Bianciardi, David (2002). The Interactive Dance Club: Avoiding Chaos in a Multi-Participant Environment
Velasco, Daniel (2000). {Island Landscape}: Following in Humboldt’s Footsteps through the Acoustic Spaces of the Tropics
Vidal, Jack (1975). Les Deux lieux communs sur le rapport image-son
Whitney, John (1994). To Paint on Water: The Audiovisual Duet of Complementarity
Xenakis, Iannis (1959). Note sur un “geste électronique”

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