Genres and Categories [G&C]  ]

Art work involving the collaboration of at least two art forms. The term is also used in the world of new media, e.g., CD-ROM and DVD developments.



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Alphabetical order - Chronological order

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Rudi, Jøran (1998). Computer Music Animations
Rudi, Jøran (2005a). Computer Music Video: A Composer’s Perspective
Rudy, Paul (2001). Separation Anxiety: Metaphoric transmutations from a paradoxical biological instrument, or: What is a cactus doing in our concert hall?
Saariaho, Kaija, Hoitenga, Camilla, Karttunen, Ansi, Barrière, Jean-Baptiste, Stoianova, Ivanka, Mathieu, Jean-Baptiste (1999). Prisma
SALA, Oskar (1962). Mixtur-Trautonium und Studio-Technik (Mixtur-Trautonium and Studio Technique)
Schell, Michael (1996). Unlikely Persona: Jerry Hunt (1943-1993)
Schütze, Stephan (2003). The Creation of an Audio Environment as Part of a Computer Game World: The design for {Jurassic Park - Operation Genesis} on the XBOX™ as a broad concept for surround installation creation
Senn, Dan (1997). Pendulum-based Instruments, Percussive Video, Sound Art, and the Permanence of Ephemeral Public Art
Siegel, Wayne (1999a). Two Compositions for Interactive Dance
Spiegel, Laurie (1998). Graphical GROOVE: Memorial for the VAMPIRE, a visual music system
Stanza, (2002). - Online Interactive Audiovisual Generative Digital Paintings
Thome, Diane (1995). Reflections on Collaborative Process and Compositional Revolution
Truax, Barry (2003). Homoeroticism and Electroacoustic Music: Absence and Personal Voice
Ulyate, Ryan, Bianciardi, David (2002). The Interactive Dance Club: Avoiding Chaos in a Multi-Participant Environment
Vande Gorne, Annette (1995). Une histoire de la musique électroacoustique
Velasco, Daniel (2000). {Island Landscape}: Following in Humboldt’s Footsteps through the Acoustic Spaces of the Tropics
Viola, Bill (2004). David Tudor: The Delicate Art of Falling
Visell, Yon (2004). Spontaneous Organisation, Pattern Models, and Music
Watts, Christopher (2004). Mixing Things Up: Collaboration, converging disciplines, and the music curriculum
Weidenaar, Reynold (2002). Composing with the Soundscape of Jones Street
Werner, Hans U. (2002). {MetaSon #5 Skruv Stockholm}: Turning schizophonic sound into audiovirtual image
Worrall, David (1996). Studies in Metamusical Methods for Sound and Image Composition
XENAKIS, Iannis (1957). Le Corbusier’s‚ {Elektronisches Gedicht} - Philips Pavillon der Brüsseler Weltausstellung, 1958 (Le Corbusier’s {Electronic Poem} - For the Philips Pavilion at the Brussels World Exposition, 1958)
Young, John P. (2001). Networked Music: Bridging real and virtual space
Young, La Monte, Zazeela, Marian (1971). La Monte Young
Young, La Monte, Zazeela, Marian (1971). {Dream House}
Zvonar, Richard (2004). A History of Spatial Music