This main heading consists of all terms concerned with diverse performance practice traditions, emerging performance practices and listening situations in which electroacoustic music is communally shared.
Bibliography: Chadabe, Joel (1997b). Electric Sound: The Past and Promise of Electronic Music
Cox, Christoph, Warner, Daniel (2004). Audio Culture: Readings in Modern Music
ESTRADA, Julio (1999). Conlon Nancarrow (1912-1997)
Jaeger, Timothy (2003). The (Anti-) Laptop Aesthetic
Manning, Peter (2004). Electronic and Computer Music - Revised and Expanded Edition
Wilding, Richard (1998). Listening Spaces/Performance Spaces: The Performance of electroacoustic Music as Cultural Practice
Yong, Kerry (2006). Electroacoustic adaptation as a mode of survival: arranging Giacinto Scelsi’s {Aitsi pour piano amplifée} (1974) for piano and computer
- Access (to Electroacoustic Music)
- Cinéma Pour l’Oreille (Cinema For The Ears)
- Collaboration
- Composed Space
- Faktura
- Immersive Environment
- Improvisation
- Interactivity
- Internet Music
- Live Electronics
- Performance Space(s)
- Public Art
- Real-time
- Real-time Transformation
- Site Specific
- Spatialisation
- Turntablism
- Visual Representation
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