This main heading consists of all terms concerned with diverse performance practice traditions, emerging performance practices and listening situations in which electroacoustic music is communally shared.

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

ESTRADA, Julio (1999). Conlon Nancarrow (1912-1997)

 

Subsections

• Access (to Electroacoustic Music)
• Cinéma Pour l’Oreille (Cinema For The Ears)
• Collaboration
  • Devising
• Composed Space
  • Architectonic
• Faktura
• Immersive Environment
• Improvisation
• Interactivity
  • Emergence
  • Gestural Interface
  • Interactive Instruments
• Internet Music
  • Free Music
• Live Electronics
• Performance Space(s)
• Public Art
• Real-time
  • MIDI
    • Pitch-to-MIDI
• Real-time Transformation
• Site Specific
• Spatialisation
  • Ambisonic
  • Architectonic
  • Automated Spatialisation Systems
  • Binaural
  • Diffusion
  • Fader Gesture
  • Immersive Environment
  • Loudspeaker Orchestra
  • Motion
  • Octophony
  • Panoramics
  • Quadraphonic
  • Site Specific
  • Sound Projection
  • Stereophonic
  • Surround Sound
• Turntablism
• Visual Representation
  • Diffusion Score
  • Graphic Score

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