Sound Art

Genres and Categories [G&C]  ]

This term has been used inconsistently throughout the years. Currently it is generally used to designate sound installations (associated with art galleries and museums), public sonic art and site-specific sonic art events. Its German equivalent, Klangkunst, is in greater usage than this English language term.


See also:

Sonic Art, Sound Installation



English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Bandt, Ros (2005). Designing Sound in Public Space in Australia: a comparative study based on the Australian Sound Design Project’s online gallery and database
Barthelmes, Barbara (1999). Klangkunst - eine neue Gattung oder ein interdiscziplinäres Feld? (Sound art - a new genre or an interdisciplinary field?)
Cascella, Daniela (2004). Scultori di suono (Sculptor of sound)
Frisk, Henrik, Yoshida, Miya (2005). New Communications Technology in the Context of Interactive Sound Art: an empirical analysis
Föllmer, Golo (1999a). Klangorganisation im öffentlichen Raum (Sound Organisations in Public Spaces)
Gertich, Frank (1999). Klangskulpturen (Sound sculptures)
Heon, Laura (2005). In Your Ear: hearing art in the twenty-first century
KLEINER, Marcus S. and Achim SZEPANSKI (Ed.) (2003). Soundcultures. Über elektronische und digitale Musik
LA MOTTE-HABER, Helga de (1992). In den Extremen der Dynamik. Maryanne Amachers Wahrnehmungslandschaften (In the Extremes of Dynamics: Maryanne Amacher’s Perception Landscapes)
La Motte-Haber, Helga de (1999b). Klangkunst: Die gedanklichen und geschichtlichen Voraussetzungen: (Sound Art: its concepts and history)
La Motte-Haber, Helga de (1999c). Zwischen Performance und Installation (Between Performance and Installation)
La Motte-Haber, Helga de (Ed.) (1999a). Klangkunst: Tönende Objekte und klingende Räume
Müller, Ulrich (1999). Klangkörper (Sound bodies [or sounding objects])
Sanio, Sabine (1999). Autonomie, Intentionalität, Situation: Aspekte eines erweiterten Kunstbegriffs: (Autonomy, Intention, Situation: Aspects of an expanded concept of art)
Schedel, Margaret Anne (2004). Alternative Venues for Computer Music: SoundGallery_Living Room_ARTSHIP
Senn, Dan (1997). Pendulum-based Instruments, Percussive Video, Sound Art, and the Permanence of Ephemeral Public Art
Siegfried, Walter (1999). same time - same place: orts- und zeitabhängige Kunstformen (site and time-dependent forms of art)
Stelkens, Jörg, Tillmann, Hans G. (Eds.) (1999). KlangForschung ’98: Symposium zur elektronischen Musik
Vickery, Lindsay (2001). The Western Edge: Some recent electronic music from Western Australia

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