Archiving

Musicology of Electroacoustic Music [MEM]  ]

As primary and secondary sources, pieces of music (and their documentation) on a wide variety of media, and electroacoustic instruments, devices and technologies age, their archiving, preservation, digitisation, cataloguing and public accessibility become crucial issues for electroacoustic music studies.

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Ang, Minni, Othman, Abu Talib, Ramani, A. K., Siowck-Lee, Gan, Matusku, Patricia (1998). A Layered Architectural Model for Music: Malaysian music on the World Wide Web
Atkinson, Simon, Landy, Leigh (2004). The ElectroAcoustic Resource Site (EARS): Philosophy, foundation and aspirations
Barrachina, Solang, Saint Martin, Dominique (2007). The GRM ‘beyond the walls’?
Battier, Marc (2004). Electroacoustic Music Studies and the Danger of Loss
Chadabe, Joel (1997a). The Electronic Music Foundation
Coenen, Alcedo (1997). NEAR - The Netherlands Electro-Acoustic Repertoire Centre
Fujii, Koichi (2004). Chronology of Early Electroacoustic Music in Japan: What types of source materials are available?
Gayou, Évelyne (2007). The GRM: landmarks on a historic route
Landy, Leigh, Atkinson, Simon (2003b). Introducing the ElectroAcoustic Resource Site (EARS)
Ramel, Sylvie (2004). Conservation and Restoration of Electroacoustic Musical Instruments at the Musée de la Musique, Paris
Teruggi, Daniel (2004a). Electroacoustic Preservation Projects: How to move forward

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