Typo-morphologie (Typo-morphology)

Musicology of Electroacoustic Music [MEM]  >  Analysis  >  Aural Analysis  ]

In Schaefferian theory, typo-morphology is the initial phase of the programme of musical research, which regroups as complementary the two procedures of typology and morphology: these actually constitute a stage of exploring, assessing and describing sound; whereas the two procedures of analysis and synthesis arise from an analysis and an exploitation of the musical capacities of the sound object. Thus, typo-morphology is a descriptive inventory which precedes musical activity.

The three tasks of typo-morphology are: identification, classification, description.

* Identifying sound objects, that is, isolating them, cutting them into sound units.

* Then, classifying them into basic characteristic types.

* Finally, describing their characteristics in detail.

Typology takes care of the first two; morphology the third. (Paraphrase of Michel Chion (1983). Guide des Objets Sonores. Eds. Buchet/Chastel, Paris. 1995 translation by John Dack/Christine North.)

 

See also:

Morphologie (Morphology), Reduced Listening, Solfège, Sound Object, Spectromorphology

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Dack, John (1998a). Strategies in the Analysis of Karlheinz Stockhausen’s {Kontakte} für elektronische Klänge, Klavier, und Schlagzeug
Dalmonte, Rossana, Baroni, Mario (eds.) (1992). Secondo convegno europeo di analisi musicale. Università degli studi di Trento (Second European conference on music analysis. University of Trento)
Daoust, Yves (2000). Pensée concrète, démarche abstraite
Delalande, François (1974). L’{Omaggio a Joyce} de Luciano Berio
Giomi, Francesco, Ligabue, Marco (1998). Evangelisti’s Composition Incontri di Fasce Sonore at WDR: Aesthesic-Cognitive Analysis in Theory and Practice
Laliberté, Martin (2005). An Analytic Approach to Horacio Vaggione’s {Till}
Palombini, Carlos (1993b). Pierre Schaeffer’s Typo-Morphology of Sonic Objects
Palombini, Carlos (2002). Musique Concrète Revisited
SMALLEY, Denis (1992a). Can electroacoustic music be analysed? (La musica elettroacustica può essere analizzata?)
Thoresen, Lasse, Hedman, Andreas (2007). Spectromorphological analysis of sound objects: an adaptation of Pierre Schaeffer’s typomorphology

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