Visual Representation

Musicology of Electroacoustic Music [MEM]  >  Analysis  >  Aural Analysis  ]

For the purposes of the Subject Index, all forms of Visual Representation of electroacoustic music for purposes of analysis, performance aid, and interface to computer operations may be looked up under this umbrella term.

 

See also:

Acousmographe, Diffusion Score, FFT, Graphic Interface, Graphic Score, Graphic Synthesis, Sonogram, Spectral Analysis, Synthesis Score

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

1-60 | 61-120 | 121-141 | >> Next 60

Nucibella, Francesca, Zattra, Laura (2005). Audio content tools for the musicological analysis of electroacoustic music
PATTON, Kevin (2007). Morphological notation for interactive electroacoustic music
Pope, Stephen Travis (1996). Object-oriented Music Representation
Racot, Gilles (2002c). Subjestuel suivi de partition
Régnault, Cécile (2001). Correspondances entre graphisme et son : les représentations visuelles de “l’objet sonore”
Risset, Jean-Claude (1991b). Timbre, Analysis by Synthesis: Representations, Imitations, and Variants for Musical Composition
Risset, Jean-Claude (2001b). Problèmes posés par l’analyse d’œuvres musicales dont la réalisation fait appel à l’informatique
Roads, Curtis (1996b). Materials and Montage in {Clang-tint}
Roads, Curtis (2003). Réflexions sur la musique électronique aujourd’hui
Rousselier, Samuel (2002). Sonorités élastiques
Rousselier, Samuel (2005). {Playtime et Pensée du matin}, extraits de {La Ronde}
Roy, Stéphane (1996). Form and Referential Citation in a Work by Francis Dhomont
Rudi, Jøran (2005a). Computer Music Video: A Composer’s Perspective
Rusch, Simon, Behnke, Julia (2003). {Tremblement de terre très doux}
Sanson, Yoann (2005). {Le trésor}
Serafin, Stefania, Kojs, Juraj (2005). Computer Models and Compositional Applications of Plastic Corrugated Tubes
SMITH, Sophy (2007). The process of ‘collective creation’ in the composition of UK hip-hop turntable team routines
Smith, Sophy (S. J.) (2005). The Compositional Proceses of UK Hip-Hop Turntable Teams
Stroppa, Marco (1984). The analysis of electronic music
Teruggi, Daniel, Couprie, Pierre (2001). Les {Presque rien} de Luc Ferrari. {Hétérozygote} et les {Presque rien}
Thies, Wolfgang (1985). Notationsmöglichkeiten für elektronische Musik (Possibilities of Electronic Music Notation)
Thoresen, Lasse, Hedman, Andreas (2007). Spectromorphological analysis of sound objects: an adaptation of Pierre Schaeffer’s typomorphology
Tiffon, Vincent (2002). Jean-Claude Risset : {Sud} (1985)
Tiffon, Vincent (2005). L’image sonore : la présence invisible
Tiffon, Vincent (2006). La représentation sonagraphique est-elle une aide pour l’analyse perceptive de la musique électroacoustique ?
Ungeheuer, Elena, Decroupet, Pascal (1998). Through the Sensory Looking-glass: the Aesthetic and Serial Foundations of {Gesang des Jünglinge}
Voorvelt, Martijn (1998). British Post-punk Experimental Music (1977-1983)
Xenakis, Iannis (1996). Determinacy and Indeterminacy
Zattra, Laura (2004). Searching for Lost Data: Outlines of aesthesic-poietic analysis
Zbar, Michel (1992). Musiques électroacoustiques : de l’écoute du compositeur à celle de l’auditeur

 

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