Structure, Musical [Str]

This header concerns musical structuring principles, in terms of both their apprehension through analysis and their function within creative processes.



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Alphabetical order - Chronological order

Bailey, Christopher (2004). An Interface for ‘Flat Music’
Barrett, Natasha (2002). Spatio-musical Composition Strategies
Blackwell, Tim, Young, Michael (2004). Self-organised Music
Chadabe, Joel (1996). The History of Electronic Music as a Reflection of Structural Paradigms
Di Scipio, Agostino (2003). ‘Sound is the Interface’: From {interactive} to {ecosystemic} signal processing
Field, Ambrose (1996). An Introduction to Discovery Strategy
Fleisher, Tsippi (1998). Structural Aspects of My Music as Illustrated in the Tape Work {The Gown of Night} and the Cantata {Like Two Branches}
Fujii, Koichi (2004). Chronology of Early Electroacoustic Music in Japan: What types of source materials are available?
Giomi, Francesco, Ligabue, Marco (1998a). Understanding Electroacoustic Music: Analysis of narrative strategies in six early compositions
Grabócz, Marta (1997). Survival or Renewal? Structural imagination in recent electroacoustic and computer music
Justel, Elsa (2002). Space As Structural Function In Electroacoustic Music
Kankaanpää, Vesa (1996). Displaced Time: Transcontextual references to time in Kaija Saariaho’s {Stilleben}
Karpen, Richard (2003). An Interview with James Dashow
Licata, Thomas (Ed.) (2002b). Electroacoustic Music: Analytical Perspectives
Malt, Mikahil (1999). Reflexiones sobre el acto de componer (Thoughts on the act of composing)
Milicevic, Mladen (1998). Deconstructing Musical Structure
Miranda, Eduardo Reck (1998). The Role of Speech Synthesis in {Requiem per un veu perdida}
Newcomb, Robert Spalding (1998). Music in the Air: A theoretical model and software system for music analysis and composition
Polfreman, Richard (1999). A Task Analysis of Music Composition and Its Application to the Development of Modalyser
Spiegel, Laurie (1999). Music as Mirror of Mind
Truax, Barry (1986). Computer Music Language Design and the Composing Process
Truax, Barry (2000a). The Aesthetics of Computer Music: A questionable concept reconsidered
Young, John (2004). Sound Morphology and the Articulation of Structure in Electroacoustic Music




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