Discourse within Electroacoustic Music

Musicology of Electroacoustic Music [MEM]  ]

For the purposes of the Subject Index, all terms pertaining to the musical discourse and signifying potential of electroacoustic music may be looked up under this umbrella term. A more general definition of discourse of course includes the important function of music as a social process. For purposes of organisation of the Subject Index, there exists a complementary entry called Socio-Cultural Aspects of Electroacoustic Music.

 

Bibliography:

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Vidolin, Alvise (ed.) (1980). Musica e elaboratore. Orientamenti e prospettive (Music and Computer. Guidelines and perspectives)
VIDOLIN, Alvise, DOATI, Roberto (1983). Bollettino 3 – Bollettino del Laboratorio permanente per l’Informatica Musicale della Biennale (LIMB) (Review of the Permanent Laboratory for Computer Music of the Biennale)
VIDOLIN, Alvise, POLO, Nicoletta (1981). Bollettino del Laboratorio permanente per l’Informatica Musicale della Biennale (LIMB) (Review of the Permanent Laboratory for Computer Music of the Biennale (LIMB))
VIDOLIN, Alvise, POLO, Nicoletta, TORRESAN, Daniele (1982). Bollettino 2 – Bollettino del Laboratorio permanente per l’Informatica Musicale della Biennale (LIMB) (Review of the Permanent Laboratory for Computer Music of the Biennale (LIMB))
Waters, Simon (2000a). The musical process in the age of digital intervention
Weale, Rob (2005a). The Intention/Reception Project: Investigating Composer Intention and Listener Response in Electroacoustic Compositions
Weale, Rob (2005b). The Intention/Reception Project: Investigating the Relationship Between Composer Intention and Listener Response in Electroacoustic Compositions
Weale, Rob (2006). Discovering How Accessible Electroacoustic Music Can Be: the Intention/Reception project
Windsor, W. Luke (2000). Through and Around the Acousmatic: The Interpretation of Electroacoustic Sounds
Wishart, Trevor (1978). Red Bird: A Document
Young, John (2002b). Sju ... Who?
Zapf, Donna (1981b). Inside the Soundscape: The Compositions of Hildegard Westerkamp
Zattra, Laura, Durante, Sergio (eds.) (2002). Vent’anni di musica elettronica all’universitÓ di Padova. Il Centro di Sonologia Computazionale (20 years of electronic music at Padua University. The Centro di Sonologia Computazionale)

 

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