Motion

Musicology of Electroacoustic Music [MEM]  >  Discourse within Electroacoustic Music  ]

The metaphors of motion and growth are appropriate ways of considering a time-based art like electroacoustic music. Traditional concepts of rhythm are inadequate to describe the often dramatic contours of electroacoustic gesture and the internal motion of texture which are expressed through a wide variety of spectromorphologies. Since motion and growth have spectral contours, they are set in spectral space. Therefore their occupancy of spectral space and their spectral density will be important additional qualifiers. In addition, motion and growth can be enhanced by actual spatial distribution. Motion and growth have directional tendencies which lead us to expect possible outcomes, and they are helpful guides in attributing structural functions. (Condensed from Denis Smalley (1997). Spectromorphology: Explaining Sound-shapes. Organised Sound Vol. 2, No. 2. Cambridge: Cambridge University Press.)

 

See also:

Gesture, Indicative Fields and Networks, Spatialisation, Spectral Space, Spectromorphology, Texture

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Alvarez, Javier (1989). Rhythm as Motion Discovered
Cheng, Corey I. (2001). Moving Sound Source Synthesis for Binaural Electroacoustic Music Using Interpolated Head-Related Transfer Functions (HRTFs)
Lewis, Andrew (1987). Motion and the Analysis of Electro-Acoustic Music: Denis Smalley’s {Vortex}
Loy, Gareth (1985). About AUDIUM - A Conversation with Stanley Shaff

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