Dramaturgy of Electroacoustic Music

Musicology of Electroacoustic Music [MEM]  >  Socio-Cultural Aspects of Electroacoustic Music  >  Access (to Electroacoustic Music)  ]

A term borrowed from theatre which involves the verbal contextualisation of a work or an interpretation or performance thereof. In a sense, the dramaturgy of music is more involved with the question of ’why’ something takes place than the ’what’ or ’how’ of the endeavour. Dramaturgy has always been used to allow someone appreciating art to obtain a greater insight into artists’ intention. See, for example, Leigh Landy and Evelyn Jamieson (2000). Devising Dance and Music - IDEE FIXE Experimental Sound and Movement Theatre. Sunderland: University of Sunderland Press.



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Alphabetical order - Chronological order

Carter, Paul (1996). Speaking Pantomimes: Notes on {The Calling to Come}
Dyson, Frances (1994). Radio Art in Waves
Landy, Leigh (1990). Is More than Three Decades of Computer Music Reaching the Public It Deserves?
Landy, Leigh (1994b). ‘The Something to Hold on to Factor’ in Electroacoustic Timbral Composition
Landy, Leigh (1994c). Composition and Performance in the 1990s.
Landy, Leigh (1995). Computer-Musik ein guter Grund, zu Hause zu bleiben? Ja und nein
Landy, Leigh (2006a). The Intention/Reception Project
Mikic, Vesna (2002). {Vris.Krik.exe}: A Techno - Music Metaphor of Subject/Body
Norman, Katharine (2000). Stepping Outside for a Moment: Narrative Space in Two Works for Sound Alone
VIDOLIN, Alvise (2005). Percorsi sonori di un teatro immaginario. Da {Noms des airs} a {Lohengrin II} di Salvatore Sciarrino (Sonorous ways of an imaginary theatre. From {Noms des airs} to {Lohengrin II} by Salvatore Sciarrino)
Weale, Rob (2005a). The Intention/Reception Project: Investigating Composer Intention and Listener Response in Electroacoustic Compositions
Weale, Rob (2005b). The Intention/Reception Project: Investigating the Relationship Between Composer Intention and Listener Response in Electroacoustic Compositions
Weale, Rob (2006). Discovering How Accessible Electroacoustic Music Can Be: the Intention/Reception project
Weale, Rob (2007). Mapping perception across the communitive continuum as a prelude to analysis
Wishart, Trevor (1978). Red Bird: A Document




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