Listening Experience

Musicology of Electroacoustic Music [MEM]  ]

The experience and study of listening are integral to Electroacoustic Music Studies. Much electroacoustic music privileges listening as a creative act. Creative practice and research have highlighted the numerous and varied situations in which we may experience electroacoustic music, as well as the varied expectations we may have from our listening. This umbrella term includes such important topics as where we listen, the presentation, performance and spatialisation of music, what we are listening for in music (i.e. questions of meaning and signification), and discoveries and theories as to how we listen. Discursive, social and cultural understanding of electroacoustic music making are also located beneath this umbrella.

 

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Dalmonte, Rossana, Baroni, Mario (Eds.) (1992). Secondo convegno europeo di analisi musicale. UniversitÓ degli studi di Trento
SMALLEY, Denis (1992a). La musica elettroacustica pu˛ essere analizzata?
TANZI, Dante (1999b). Linguaggi compositivi e innovazione tecnologica fra scienza e arte

 

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