Causal Listening

Musicology of Electroacoustic Music [MEM]  >  Listening Experience  ]

A term proposed by the French writer Michel Chion to contrast with his term Semantic Listening and Pierre Schaeffer’s Reduced Listening. Causal listening concerns "listening for the purpose of gaining information about the sound’s source". (Source - Michel Chion (1994). Audio-vision. (Gorbman, C. ed., trans.) NY: Columbia University Press.)

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Brattico, Elvira, Sassanelli, Fiorella (2000). Perception and Musical Preferences in Wishart’s Work
Chion, Michel (1998). Le son
Couprie, Pierre (2001b). Transcription globale : introduction à la représentation
Dupont, Maÿlis (2001). Pour une écoute critique : l’émergence de la musique
Field, Ambrose (2000). Simulation and Reality: The New Sonic Objects
Hoopen, Christiane ten (1994a). Issues in Timbre and Perception
Hoopen, Christiane ten (1997). Perceptions of Sound: Source, cause and human presence in electroacoustic music
IRCAM-Hyptique, (1999). Dix jeux d’écoute
Reich, Steve, Vérin, Nicolas (1998). Interview de Steve Reich
Teruggi, Daniel (2001b). Après une écoute de {Sud}
Thomas, Jean-Christophe (2001). Sur l’expression de la nature dans les musiques électroacoustiques

Top