[  Musicology of Electroacoustic Music [MEM]  >  Listening Experience  >  Source Recognition  ]

The natural tendency to relate sounds to supposed sources and causes, and to relate sounds to each other because they appear to have shared or associated origins. (Source - Denis Smalley (1994). Defining Timbre, Refining Timbre. Contemporary Music Review Vol. 10, Part 2. London: Harwood.)

 

See also:

Causality, Source Recognition

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

MacDonald, Alistair (1995). Performance Practice in the Presentation of Electroacoustic Music
SMALLEY, Denis (1992a). Can electroacoustic music be analysed? (La musica elettroacustica può essere analizzata?)
Smalley, Denis (2007). Space-form and the acousmatic image

Top