Technological Listening

Musicology of Electroacoustic Music [MEM]  >  Listening Experience  ]

This term was introduced by Denis Smalley to describe a listening mode amongst those with expertise in electroacoustic techniques. It is rooted in an aesthetic orientation that technology should ideally have a transparency in electroacoustic music making and listening. Implicit in the term is the danger that composers and musicians become divorced from the musical experiences of non-experts. The more informal term recipe listening is sometimes used.

Technological listening occurs when a listener ’perceives’ the technology or technique behind the music rather than the music itself, perhaps to such an extent that true musical meaning is blocked. (Source - Denis Smalley (1997). Spectromorphology: Explaining Sound-shapes. Organised Sound Vol. 2, No. 2. Cambridge: Cambridge University Press.)

 

See also:

Causal Listening, Hi-Fi and Lo-Fi, Intention and Reception, Modes of Listening, Quatre Écoutes, Reduced Listening, Semantic Listening

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Cipriani, Alessandro, Giri, Maurizio (2009). MUSICA ELETTRONICA E SOUND DESIGN. Teoria e Pratica con MaxMSP
DI SCIPIO, Agostino (1995d). Riflessioni sull’analisi della musica elettroacustica e informatica
Vidolin, Alvise (1980). Interazione fra i livelli di rappresentazione dell’informazione musicale nella composizione mediante elaboratore

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