Performance Practice and Presentation [PPP]  ]

Spatialisation is perhaps the most all-embracing and general term used to describe the means by which loudspeakers are used to articulate or create a spatial musical experience for listeners in playback or performance. The term is wide-ranging from a technical, and arguably aesthetic point of view. It includes formats (e.g. Stereophonic, Ambisonic, Dolby), the placement and movement of sounds in space in any number of listening situations (e.g. concert hall, installation, virtual environment, cinema), and performance practices (e.g. diffusion, Octophony, and more recent developments in automated performance systems).


See also:

Ambisonic, Automated Spatialisation Systems, Diffusion, Loudspeaker Orchestra, Octophony, Panoramics, Quadraphonic, Site Specific, Sound Projection




- Introduction à l’histoire et à l’esthétique des musiques électroacoustiques: Session 1 - Quelques réflexions sur les relations entre le son et la musique ( French )



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Alphabetical order - Chronological order

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Tiffon, Vincent (2005). Les musiques mixtes : entre pérennité et obsolescence
Trân, Quang Hai (2001). Un dialogue occident-orient : l’exemple de {Vê Nguôn} (1975)
Truax, Barry (1996e). Computer Controlled Diffusion
Truax, Barry (1998a). Composition and Diffusion: Space in Sound in Space
Tutschku, Hans (2002). On the Interpretation of Multi-Channel Electroacoustic Works on Loudspeaker-Orchestras: Some thought on the GRM-Acousmonium and BEAST
UNGEHEUER, Elena (1991). Elektronische Musik im Raum. Ansätze zu einer musikalischen Topologie (Electronic Music in Space: Starting points for a musical topology)
Vaggione, Horacio (1991). Jeux d’espaces : conjonctions et disjonctions
Vaggione, Horacio (1995). About the Electroacoustic Approach: Situations, Perspectives
Vande Gorne, Annette (1991). Espace et structure propositions pour une écriture de l’espace
Vande Gorne, Annette (1995). Une histoire de la musique électroacoustique
Vande Gorne, Annette (1998). Les deux côtés du miroir : la mariée est-elle trop belle ?
Vande Gorne, Annette (2002). L’interprétation spatiale. Essai de formalisation méthodologique
Vandenbogaerde, Fernand (1977). De la diffusion des musiques électroacoustiques
Varèse, Edgard (1983). 1953-1965 : Invention du futur
Verin, Nicolas (1998). Spatialisation : interprétation, composition, improvisation ?
Vidalenc, Jean-Luc (1990). L’acoustigloo. Le système de diffusion
Viola, Bill (2004). David Tudor: The Delicate Art of Falling
Wishart, Trevor (1988). The Composition of {Vox-5}
Wolff, Karen Frimkess (1991). Drawing with Sound
Worrall, David (1998). Space in Sound: Sound of Space
Wyatt, Scott A. (1999). Investigative Studies on Sound Diffusion/Projection
XENAKIS, Iannis (1957). Le Corbusier’s‚ {Elektronisches Gedicht} - Philips Pavillon der Brüsseler Weltausstellung, 1958 (Le Corbusier’s {Electronic Poem} - For the Philips Pavilion at the Brussels World Exposition, 1958)
Xenakis, Iannis (1959). Note sur un “geste électronique”
Zvonar, Richard (2004). A History of Spatial Music




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