Spectral Analysis

Musicology of Electroacoustic Music [MEM]  >  Analysis  >  Audio Analysis  ]

Spectral analysis might be considered the analogue to spectral or timbral composition, that is, through the analysis of the development of spectra in a composition, one gains a greater understanding of its content and development. Spectral analysis is frequently used in the compositional process itself, most often in the task of signal processing micro-level sound materials.

 

See also:

Aural Analysis, Representation, Spectral Analysis, Spectralisme, Synthesis and Resynthesis Techniques, Visual Representation

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Bateman, Wayne (1980). Introduction to Computer Music
Beauchamp, James, Horner, Andrew (1997). Spectral Modelling and Timbre Hybridisation Programs for Computer Music
Beaudoin, Richard (2007). Counterpoint and quotation in Ussachevsky’s {Wireless Fantasy}
Bossis, Bruno (2004). Reflections on the Analysis of Artificial Vocality: Representations, Tools and Prospective
Bossis, Bruno (2004a). {Mortuos Plango, Vivos Voco} de Jonathan Harvey ou le miroir de la spiritualité
Bossis, Bruno (2005c). La voix et la machine. La vocalité artificielle dans la musique contemporaine
Bossis, Bruno, Couprie, Pierre (2003). Tutorials : sound and music applications
Brech, Martha (1994). Analyse elektroakustischer Musik mit Hilfe von Sonagrammen (Analysis of Electroacoustic Music with the Help of Sonagrams)
Cann, Richard (1979). An Analysis/Synthesis Tutorial
Code, David Loberg (1990). Observations in the Art of Speech: Paul Lansky’s {Six Fantasies}
Cogan, Robert (1984). New Images of Musical Sound
Cogan, Robert (1986). Imaging Sonic Structure
Couprie, Pierre (2004b). Graphical Representation: An analytical publication tool for electroacoustic music
Daubresse, Eric, Assayag, Gerard (2000). Technology and Creation - The Creative Evolution
Fineberg, Joshua (2000a). Guide to the Basic Concepts and Techniques of Spectral Music
Kendall, Gary S. (2006). Juxtaposition and Non-motion: Varèse bridges early modernism to electroacoustic music
Küpper, Leo (1996). Musical Analysis: {Inflections Vocales}, a Composition for Soprano and DAT
Laliberté, Martin (2005). An Analytic Approach to Horacio Vaggione’s {Till}
Licata, Thomas (Ed.) (2002b). Electroacoustic Music: Analytical Perspectives
Mary, Mario (2006). L’orchestration électroacoustique. Une approche particulière à la composition électroacoustique. Ses liens avec la musique instrumentale et ses applications dans le domaine de l’analyse musicale
Miranda, Eduardo Reck (2005). Artificial Phonology: Disembodied Humanoid Voice for Composing Music with Surreal Languages
Moorer, James A. (1977). On the Transcription of Musical Sound by Computer
Moorer, James A., Grey, James, Snell, John (1977). Lexicon of Analyzed Tones - Part 1
Moorer, James, Grey, J, Strawn, J (1978). Lexicon of Analyzed Tones - Part 2
Nucibella, Francesca, Zattra, Laura (2005). Audio content tools for the musicological analysis of electroacoustic music
Piszczalski, Martin, Galler, Bernard A. (1977). Automatic Music Transcription
Risset, Jean-Claude (1985b). Digital Techniques and Sound Structure in Music
Risset, Jean-Claude (1996a). Problems of Analysis and Computer Music
Roads, Curtis (1996c). The Computer Music Tutorial
Roads, Curtis (2001a). Microsound
Roads, Curtis, Pope, Steven Travis, Piccialli, Aldo, Poli, Giovanni De (Eds.) (1997). Musical Signal Processing
Saariaho, Kaija, Hoitenga, Camilla, Karttunen, Ansi, Barrière, Jean-Baptiste, Stoianova, Ivanka, Mathieu, Jean-Baptiste (1999). Prisma
Scaldaferri, Nicola (1997). Musica nel laboratorio elettroacustico. Lo Studio di Fonologia di Milano e la ricerca musicale negli anni Cinquanta (Music in the electroacoustic laboratory. The Studio di Fonologia in Milan and musical research in the 1950s)
Serra, Marie-Hélène (1993b). La synthèse dynamique stochastique de Iannis Xenakis
Strawn, John (1982). Research on Timbre and Musical Contexts at CCRMA
Thies, Wolfgang (1985). Notationsmöglichkeiten für elektronische Musik (Possibilities of Electronic Music Notation)
Tiffon, Vincent (2002). Jean-Claude Risset : {Sud} (1985)
Verma, Tony S., Meng, Teresa H. Y. (2000). Extending Spectral Modeling Synthesis with Transient Modeling Synthesis
Waters, Simon, Ungvary, Tamas (1990). The Sonogram: A Tool for Visual Documentation of Musical Structure

 

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