Aural Perspective

Sound Production and Manipulation [SPM]  >  Composed Space  ]

This term concerns the creation of a three-dimensional spatial ambience through the treatment of sound. The term also implies our ability to focus our listening within textures and spaces.



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Alphabetical order - Chronological order

Austin, Larry (2001). Sound Diffusion in Composition and Performance Practice II: An Interview with Ambrose Field
Dalmonte, Rossana, Baroni, Mario (eds.) (1992). Secondo convegno europeo di analisi musicale. UniversitÓ degli studi di Trento (Second European conference on music analysis. University of Trento)
Malham, David G. (2001). Toward Reality Equivalence in Spatial Sound Diffusion
Oliveros, Pauline (2001). The Poetics of Environmental Sound
Smalley, Denis (1986). Spectro-morphology and Structuring Processes
SMALLEY, Denis (1992a). Can electroacoustic music be analysed? (La musica elettroacustica pu˛ essere analizzata?)