Sound Production and Manipulation [SPM]  >  Signal Processing  ]

Stands for Digital Signal Processing, referring to all modes of digital processes that can be applied to soundfiles, samples, or recorded sounds. The aim is usually to transform the sound in some way. (Source - Rodolfo Caesar (1992). The Composition of Electroacoustic Music. PhD Thesis, University of East Anglia.)




- Digital Music online course: Digital representation of sound ( English )



English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Bateman, Wayne A. (1980). An Introduction to Computer Music
Cipriani, Alessandro, Giri, Maurizio (2010). ELECTRONIC MUSIC AND SOUND DESIGN: Theory and Practice with MaxMSP
Collins, Nick (2003b). Recursive Audio Cutting
Corino, Gianni, Miranda, Eduardo Reck (2003). Digital Music: online tutorials on computer music
Davis, Deta S. (1988). Computer Applications in Music: A Bibliography
Di Scipio, Agostino (2003). ‘Sound is the Interface’: From {interactive} to {ecosystemic} signal processing
Dodge, Charles, Jerse, Thomas A. (1985). Computer Music Synthesis, Composition, and Performance
Geslin, Yann (2002). Digital Sound and Music Transformation Environments: A Twenty-year Experiment at the “Groupe de Recherches Musicales”
Haynes, Stanley (1982). The Computer as a Sound Processor: A Tutorial
Lazzarini, Victor E. P. (2000). The SndObj Sound Object Library
LeBrun, Marc (1977). Notes on Microcomputer Music
Manning, Peter (1992). Towards a New Age in the Technology of Computer Music
Moorer, James A. (1977). On the Transcription of Musical Sound by Computer
NUÑEZ, Adolfo (1993). Informática y Electrónica Musical - 2da. edición, revisada (Musical Electronics and Informatics - 2nd edition, revised)
Piszczalski, Martin, Galler, Bernard A. (1977). Automatic Music Transcription
Roads, Curtis (1985c). Research in Music and Artificial Intelligence
Roads, Curtis (2001a). Microsound
Roads, Curtis, Pope, Steven Travis, Piccialli, Aldo, Poli, Giovanni De (Eds.) (1997). Musical Signal Processing
Rodet, Xavier (1991). What Would We Like to See Our Music Machines Capable of Doing?
Ryan, Joel (2006). Improvising with Others
Settel, Zack, Lippe, Cort (1994). Real-time Timbral Transformation: FFT-based Resynthesis
Spain, Martin, Polfreman, Richard (2001). Interpolator: A two-dimensional graphic interpolation system for the simultaneous control of digital signal processing parameters
Truax, Barry (1985). The PODX System: Interactive Compositional Software for the DMX-1000
Vaggione, Horacio (1996b). Articulating Microtime


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