Electroacoustic Instruments

Sound Production and Manipulation [SPM]  ]

For the purposes of the Subject Index, all Electroacoustic Instruments may be looked up here.

 

Bibliography:

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Alphabetical order - Chronological order

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Allick, Kristi A., Mulder, Robert C. F. (1993). Skyharp: An Interactive Electroacoustic Instrument
Andersen, Tue Haste (2003). Mixxx: Towards Novel DJ Interfaces
Appleton, Jon (1989a). 21st-Century Musical Instruments: Hardware and Software
Appleton, Jon (1999). Reflexions of a Former Performer of Electroacoustic Music
Appleton, Jon H., Perera, Ronald C. (1975). The Development and Practice of Electronic Music
Baalman, Marije A. J. (2003). The STRIMIDILATOR: a String Controlled MIDI-Instrument
Barrière, Françoise (1996). Thoughts on Analysis in Electroacoustic Music
Battier, Marc (1999b). Les polarités de la lutherie électronique
Battier, Marc (2001). De la machine à l’oreille. Le paradoxe de la musique concrète
Battier, Marc (2003a). A Constructivist Approach to the Analysis of Electronic Music and Audio Art - Between Instruments and {Faktura}
Battier, Marc (2003d). Laboratoires
Bayle, François, Ernoult, Franck (2002). François Bayle, dans son studio Magison
Becker, Barbara, Eckel, Gerhard (1996). On the Use of Computer Systems in Contemporary Composition
Bernardini, Nicola (1986). Live electronics
Blaine , Tina (2005). The Convergence of Alternate Controllers and Musical Interfaces in Interactive Entertainment
Blaine, Tina, Fels, Sidney (2003b). Contexts of Collaborative Musical Experiences
Boeswillwald, Pierre (1996). Analysis in the Electroacoustic World
Bowers, John, Archer, Phil (2005). Not Hyper, Not Meta, Not Cyber but Infra-Instruments
Burtner, Matthew (2002). The Metasaxophone: Concept, implementation and mapping strategies for a new computer music instrument
Burtner, Matthew (2005). Ecoacoustic and Shamanic Technologies for Multimedia Composition and Performance
Cadoz, Claude (1999). Musique, geste, technologie
Cannon, Cormac, Hughes, Stephen, Ó Modhráin, Síle (2003). EpipE: Exploration of the Uilleann Pipes as a Potential Controller for Computer-based Music
Chabot, Xavier (1993). To Listen and To See: Making and Using Electronic Instruments
Chadabe, Joel (2002). The Limitations of Mapping as a Structural Descriptive in Electronic Instruments
Chadabe, Joel (2004b). Look Around and Get Engaged
Chion, Michel (1994). Musique, Médias et Technologies
Cisinski, Michaël (2001). Le compositeur, l’outil et la trace historique
Collins, Nicolas (1991). Low Brass: The evolution of Trombone-Propelled Electronics
Collins, Nicolas (2006). Handmade Electronic Music: The Art of Hardware Hacking
Cook, Perry (2004). Remutualizing the Musical Instrument: Co-Design of Synthesis Algorithms and Controllers
Cronkite, David (2000). Mediating Gesture: An Interactive Approach to Computer-Assisted Music
D’Escriván, Julio (2006). To sing the body electric: Instruments and effort in the performance of electronic music
Davies, Hugh (1986). Storia ed evoluzione degli strumenti musicali elettronici (Historical evolution of electronic music instruments)
Davis, Deta S. (1988). Computer Applications in Music: A Bibliography
Dedman, Malcolm (1984). Electronic Instruments
Depalle, Philippe, Tassart, Stéphan, Wanderley, Marcello M. (1997). Instruments virtuels
Dierbach, Charles (1983). Some Initial Ideas on the Control of Digital Sound Synthesis Through AI Techniques
Doati, Roberto, Vidolin, Alvise (1986). Nuova Atlantide. Il continente della musica elettronica 1900-1986 (New Atlantis. The electronic music continent 1900-1986)
Dobrain, Christopher, Koppelman, Daniel (2006). The ’E’ in NIME: Musical Expression with New Computer Interfaces
Durante, Sergio, Zattra, Laura (eds.) (2002). Vent’anni di musica elettronica all’università di Padova. Il Centro di Sonologia Computazionale (20 years of electronic music at Padua University. The Centro di Sonologia Computazionale)
Dury, Rémi, Faber, Francis (2001). Musique électroacoustique, musique assistée par ordinateur et jeu instrumental: vers de nouveaux instruments pédagogiques
Emmerson, Simon (1995a). Analysis of Live Electronic Music
Essl, Georg, O’Modhrain, Sile (2006). An enactive approach to the design of new tangible musical instruments
Favilla, Stuart, Cannon, Joanne (2006). Fetish: Bent Leather’s palpable, visceral instruments and Grainger
Fellot, Luc (1959). La musique électronique : une source inépuisable de jeux sonores inédits
Fels, Sidney, Kaastra, Linda, Takahashi, Sachiyo, McCaig, Graeme (2004). Evolving Tooka: from Experiment to Instrument
Fels, Sidney, Vogt, Florian (2002). Tooka: Explorations of Two Person Instruments
Fournier, Daniel (1992). L’instrument de l’inouï
Freeman, Jason, Varnik, Kristjan, Ramakrishnan, C., Neuhaus, Max, Burk, Phil, Birchfield, David (2005). Auracle: a voice-controlled, networked sound instrument
Gaburo, Kenneth (1989). Murmur
Gaye, Lalya, Holmquist, Lars Erik (2004). In Duet with Everyday Urban Settings: A User Study of Sonic City
Gaye, Lalya, Mazé, Ramia, Holmquist, Lars Erik (2003). Sonic City: The Urban Environment as a Musical Interface
Ghazala, Qubais Reed (2004). The Folk Music of Chance Electronics: Circuit-Bending the Modern Coconut
Glinsky, Albert (2000). Theremin: Ether Music and Espionage
Gluck, Robert J. (2005a). eSaz: A non-Western instrument in the context of a live electronic performance system
Griffiths, Paul (1979). A Guide to Electronic Music
Gurevich, Michael, Muehlen, Stephan von (2001). The Accordiatron: A MIDI Controller For Interactive Music
Harris, Yolande (2006). Inside-out instrument
Harvey, Jonathan (1999). The Metaphysics of Live Electronics
Hatanaka, Motohide (2003). Ergonomic Design of A Portable Musical Instrument

 

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