Historical Electroacoustic Instruments

Sound Production and Manipulation [SPM]  >  Electroacoustic Instruments  ]

This term represents a collection of instruments that have been proven significant in terms of the evolution of the field. Although of great interest and significance to the development of electroacoustic music, the present form of this glossary has not attempted to provide a comprehensive list of individual ’early’ instruments.

(Bibliographical references and hypertext links will be supplied in this area during future development phases of the EARS resource).




- Introduction à l’histoire et à l’esthétique des musiques électroacoustiques: Session 2 - Une nouvelle lutherie ( French )



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Alles, H. G. (1977). A Portable Digital Sound Synthesis System
Appleton, Jon (1989a). 21st-Century Musical Instruments: Hardware and Software
Appleton, Jon (1990). Composer pour des nouveaux instruments
Asuar, José Vicente (1980). Un sistema para hacer musica con un Microcomputador (A music-making system using a Microcomputer)
Babbitt, Milton (1964). An Introduction to the R.C.A Synthesizer
Battier, Marc (1992). Sculpter la transparence. L’écriture, le geste, l’environnement
Battier, Marc (1995a). Une nouvelle géométrie du son. Le paradoxe de la lutherie électronique
Battier, Marc (1999a). L’approche gestuelle dans l’histoire de la lutherie électronique. Étude de cas : le theremin
Battier, Marc (2000). Electronic Music and Gesture
Battier, Marc (2002a). De la phonographie à la lutherie numérique. L’épiphanie du son artificiel
Battier, Marc (2002b). L’opéra et les technologies du son artificiel
Battier, Marc (2003d). Laboratoires
Berk, Mike (2000). Analog Fetishists and Digital Futures
BERMÚDEZ COSTA, Juan (1977). Nueva Generación de Instrumentos Musicales Electrónicos (The new generation of electronic music instruments)
Bernardini, Nicola (1986). Live electronics
BLANCO, Juan (2001). Para una historia de la música electroacústica en Cuba (For a history of the electroacoustic music in Cuba)
Bossis, Bruno (2003a). Introduction à l’histoire et à l’esthétique des musiques électroacoustiques
Boulanger, Richard (1990). Conducting the MIDI Orchestra, Part 1: Interviews with Max Matthews, Barry Vercoe, and Roger Dannenberg
CARDI, Mauro, CECCARELLI, Luigi (2007). “Live electronics”
Chadabe, Joel (1975). The Voltage-Controlled Synthesizer
Chadabe, Joel (1981). Paths to a Point in a Musical Landscape
Chadabe, Joel (1997a). The Electronic Music Foundation
Chion, Michel (1982). La musique électroacoustique
Clozier, Christian (1981). The Gmebaphone Sound Diffusion Instrument
Clozier, Christian (2001). The Gmebaphone Concept and the Cybernéphone Instrument
Couprie, Pierre (2002b). Oskar Sala (1910-2002)
Dal Farra, Ricardo (2006a). A Journey of Sound through the Electroacoustic Wires. Art and New Technologies in Latin America (Un voyage du son par les fils électroacoustiques : L’art et les nouvelles technologies en Amérique Latine)
Davies, Hugh (1986). Storia ed evoluzione degli strumenti musicali elettronici (Historical evolution of electronic music instruments)
Davies, Hugh (1990). Instruments électroniques : classification et mécanismes
Davies, Hugh (1992). New Musical Instruments in the Computer Age: Amplified Performance Systems and Related Examples of Low-level Technology
Davies, Hugh (2001). The Preservation of Electronic Musical Instruments
Deutsch, Herbert A. (1976). Synthesis: An Introduction to the History, Theory, and Practice of Electronic Music
DI SCIPIO, Agostino (2002). Tecnologia dell’esperienza musicale nel Novecento (The technology of musical experience in the 20th century)
Divilbiss, J. L. (1964). The Real-Time Generation of Music with a Digital Computer
DONHAUSER, Peter (2007). Elektrische Klangmaschinen. Die Pionierzeit in Deutschland und Österreich. (Electric Sound Machines: The pioneering epoch in Germany and Austria)
Doornbusch, Paul (2004). Computer Sound Synthesis in 1951: The Music of CSIRAC
Eimert, Herbert (1957). Musique électronique
Ellis, Phil (1992). Design with Sound: Control of MIDI Information Through Gesture
Fourier, Laurent (1994). Jean-Jaques Perrey and the Ondioline
François, Jean-Charles (1972). La musique électronique est éducation
Galeyev, Bulat M. (1996). Light and Shadows of a Great Life: In Commemoration of the One-Hundredth Anniversary of the Birth of Leon Theremin, Pioneer of Electronic Art
Harenberg, Michael (1990). Entre art et commerce : l’ordinateur dans la musique rock et pop
Hirano, Karl (1996). A Review of Electronic Instruments
Holmes, Thom (2002). Electronic and Experimental Music
Howe, Hubert S. (1966). Music and Electronics: A Report
Howe, Hubert S. (1972). Compositional Limitations of Electronic Music Synthesizers
INA-GRM, (2000). La musique électroacoustique
Jacobs, Arthur (1971). The Multiplying Moog
Jaffe, David A., Schloss, W. Andrew (1994). The Computer Extended Ensemble
Jones, Stephen (2004). Philippa Cullen: Dancing the Music
Kavina, Lydia (1996). My Experience with the Theremin
Keane, David (2000). Electroacoustic Music in Canada: 1950-1984
Koenig, Gottfried Michaël (1972). Studium im Studio (1959)
Krefeld, Volker (1990). The Hand in the Web: An Interview with Michel Waisvisz
Laliberté, Martin (1993). Informatique musicale : utopies et réalités 1957-1990
Laliberté, Martin (2002). L’inéluctable percussion : archétypes et instruments
Lewin-Richter, Andrés, Lanza, Alcides (2002). On Hugh Le Caine
Lohner, Henning (1986a). The UPIC System: A User’s Report
Lohner, Henning (1986b). Interview with Iannis Xenakis
Longton, Michael (1981). Composition After Technology: The Real Time Digital Music System at U. Vic


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