Additive Synthesis

Sound Production and Manipulation [SPM]  >  Synthesis and Resynthesis Techniques  ]

Additive synthesis describes the building up of a complex tone or waveform from simpler elements such as sine waves according to the law of superposition or fourier synthesis. (Source: Barry Truax - Handbook for Acoustic Ecology CD-ROM Edition. Cambridge Street Publishing, 1999 - CSR-CDR 9901)

 

See also:

FFT, Subtractive Synthesis

 

Links:

UNESCO DigiArts

- Digital Music online course: Additive Synthesis Technique ( English )

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Ayers, Lydia (2005). Synthesising Chinese Flutes Using Csound
Borin, Gianpaolo, Poli, Giovanni De, Sarti, Augusto (1997). Musical Signal Synthesis
Corino, Gianni, Miranda, Eduardo Reck (2003). Digital Music: online tutorials on computer music
Gérando, Stéphane de, Risset, Jean-Claude (2003). À propos de l’œuvre pour bande seule de Jean-Claude Risset
Gérando, Stéphane de, Risset, Jean-Claude (2004). À propos de l’œuvre pour bande seule de Jean-Claude Risset
Godman, Rob (2004b). The Enigma of Vitruvian Resonating Vases and the Relevancs of the Concept for Today
Manoury, Philippe (1984). The Arrow of Time
Marino, Gérard, Serra, Marie-Hélène, Raczinski, Jean-Michel (1993). The UPIC System: Origins and Innovations
Miranda, Eduardo Reck (2005). Artificial Phonology: Disembodied Humanoid Voice for Composing Music with Surreal Languages
Monro, Gordon (1997). This is Art, Not Science
Risset, Jean-Claude (1971). Synthesis of Sound by Computer and Problems concerning Timbre
Risset, Jean-Claude (1993). Synthèse et matériau musical
Rodet, Xavier (1996). Recent Developments in Computer Sound Analysis and Synthesis
Vaggione, Horacio (1996b). Articulating Microtime
VIDOLIN, Alvise, DOATI, Roberto (1983). Bollettino 3 – Bollettino del Laboratorio permanente per l’Informatica Musicale della Biennale (LIMB) (Review of the Permanent Laboratory for Computer Music of the Biennale)
VIDOLIN, Alvise, POLO, Nicoletta (1981). Bollettino del Laboratorio permanente per l’Informatica Musicale della Biennale (LIMB) (Review of the Permanent Laboratory for Computer Music of the Biennale (LIMB))
VIDOLIN, Alvise, POLO, Nicoletta, TORRESAN, Daniele (1982). Bollettino 2 – Bollettino del Laboratorio permanente per l’Informatica Musicale della Biennale (LIMB) (Review of the Permanent Laboratory for Computer Music of the Biennale (LIMB))
Wessel, David (1979). Timbre Space as Musical Control Structure
Ystad, Sølvi (1999). De la facture informatique au jeu instrumental

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