Cross-synthesis

Sound Production and Manipulation [SPM]  >  Synthesis and Resynthesis Techniques  ]

Sound production whereby one parameter (e.g., amplitude, frequency) of a sound is applied to influence a parameter, not necessarily the same one, of another sound. Envelope Following, Linear Predictive Coding and the Vocoder are able to apply the same principle.

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Borin, Gianpaolo, Poli, Giovanni De, Sarti, Augusto (1997). Musical Signal Synthesis
Cook, Perry R. (1996). Singing Voice Synthesis: History, Current Work and Future Directions
Geslin, Yann (2001). Le studio 123
Machover, Tod (1985). Thoughts on Computer Music Composition
Risset, Jean-Claude (1996b). Real-World Sounds and Simulacra in my Computer Music
Settel, Zack, Lippe, Cort (1994). Real-time Timbral Transformation: FFT-based Resynthesis

Top