Hybrid Synthesis

Sound Production and Manipulation [SPM]  >  Synthesis and Resynthesis Techniques  ]

Historically, the use of a digital system, i.e. computer, to control modular analogue synthesis, as notably exemplified by the GROOVE system developed by Max Matthews and F. Richard Moore at Bell Laboratories (during the 1960s and 70s).

 

See also:

Cross-synthesis

 

Bibliography:

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