Musicology of Electroacoustic Music [MEM]  ]

The analysis of electroacoustic music and aspects within electroacoustic works pose several challenges, not the least of which is that this music represents the greatest leap in music history. New material, treatment of material, and structures are found and created on a daily basis. In consequence, the experience offered to the listener has been equally revolutionised. Clearly, traditional approaches to analysis can be applied to a certain extent (descriptive, structural), but in most cases these approaches have had to be supplemented by sound-based tools as the traditional parameters of instrument, pitch, rhythm and so on are not always appropriate. Elements such as timbre and texture as well as use of space can be at least as important. With this in mind, new strategies for postscriptive scoring from formal spectral to informal reception-based notations have been developed, and continue to do so. Various approaches with borrowings from psychoacoustics, acoustics, reception theory and other fields have equally been introduced. Ironically, few large-scale systems have been devised to assist in analysing electroacoustic work. Schaeffer’s early writings supplemented by Smalley’s contributions in spectromorphology represent important exceptions.


See also:

Auditory Scene Analysis, Aural Analysis, Classification of Sound, Schaefferian Theory, Spectral Analysis, Spectromorphology



English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

1-60 | 61-120 | 121-180 | 181-240 | 241-300 | 301-360 | 361-420 | 421-480 | 481-494 | >> Next 60

Zagaykevych, Alla, Zavada, Ivan (2007). Development of electronic music in Ukraine: emergence of a research methodology
Zattra, Laura (2004). Searching for Lost Data: Outlines of aesthesic-poietic analysis
Zattra, Laura (2006a). The Identity of the Work: agents and processes of electroacoustic music
ZATTRA, Laura (2006b). La ’drammaturgia’ del suono elettronico nel Perseo e Andromeda di Salvatore Sciarrino (The ‘dramaturgy’ of electric sound in “Perseo e Andromeda” by Salvatore Sciarrino)
Zattra, Laura (2007). The Assembling of Stria by John Chowning: A Philological Investigation
Zattra, Laura, Durante, Sergio (eds.) (2002). Vent’anni di musica elettronica all’università di Padova. Il Centro di Sonologia Computazionale (20 years of electronic music at Padua University. The Centro di Sonologia Computazionale)
Zbar, Michel (1992). Musiques électroacoustiques : de l’écoute du compositeur à celle de l’auditeur




cheapest lipitor prices buy online voltaren letrozole usp azithromycin 250 mg tablets in california more info about ciprofloxacin 1000 mg accutane for sale in mexico buy bupropion without prescription in mexico careprost without prescription information buy diflucan 150 mg premarin tablets premarin australia information nexium no prescription bupropion er 150 mg armodafinil fast 300mg dilantin buy cheap super kamagra cheap generic accutane 300mg dilantin buy piracetam capsules simvastatin tab 80mg buy without a prescription zithromax azithromycin buy modafinil 200mg buy cheap generic norvasc purchase azithromycin online piracetam powder buy azithromycin powder generic caverta buy cheap generic accutane buying accutane online in new york lipitor tablets australia piracetam where to buy buy modvigil uk baclofen 20 mg ciprofloxacin 500mg purchase tretinoin generics for bupropion hostacycline usa flagyl 50mg tablets cheap generic accutane in india bactrim for bladder infection flagyl over the counter