Sound Production and Manipulation [SPM]  >  Synthesis and Resynthesis Techniques  ]

In early computer music, this term was used to signify sound generation systems that took no longer to compute than the length of what it was computing. More recently, this term is used as in most disciplines to signify a user’s perception of the result of digital processing as sufficiently immediate.




- Introduction à l’histoire et à l’esthétique des musiques électroacoustiques: Session 6 - De la musique mixte à l’interactivité ( French )



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MACHOVER, Tod (1983). {Fusione fugace}. Testo esplicativo
RISSET, Jean-Claude (1982). Tecniche digitali del suono: influenza attuale e prospettive future in campo musicale
TAMBURINI, Alessandro (1988). Il calcolatore e la musica : informatica musicale, compositore e pubblico


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