Structure, Musical [Str]  >  Formalism  ]

An algorithm is a procedure or formula for solving a problem. This term is one of the most-employed words for formalised approaches to composition.



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Alphabetical order - Chronological order

Alsop, Roger (1999). Exploring the Self Through Algorithmic Composition
Barrett, Natasha (2000a). Musical Structure, Shifting Perspectives and Composition
Burns, K. H. (2004). Algorithmic Composition
Burton, Anthony R., Vladimirova, Tanya (1999). Generation of Musical Sequences with Genetic Techniques
Chadabe, Joel (1984). Interactive Composing: An Overview
Clark, Thomas (1989). Coasts: On the Creative Edge with Composer Larry Austin
Collins, Nick (2003b). Recursive Audio Cutting
Di Scipio, Agostino (1995c). On Different Approaches to Computer Music as Different Models of Compositional Design
Essl, Georg, Serafin, Stefania, Cook, Perry R., Smith, Julius O. (2004). Theory of Banded Waveguides
Essl, Georg, Serafin, Stefania, Cook, Perry. R., Smith, Julius. O. (2004b). Musical Applications of Banded Waveguides
Gartland-Jones, Andrew, Copley, Peter (2003). The Suitability of Genetic Algorithms for Musical Composition
Giomi, Francesco, Meacci, Damiano, Schwoon, Kilian (2003a). Live Electronics in Luciano Berio’s Music
Harley, James (1991). Generative Processes in Algorithmic Composition: Chaos and Music
Harley, James (2002). The Electroacoustic Music of Iannis Xenakis
Keller, Damián, Ferneyhough, Brian (2004). Analysis by Modeling: Xenakis’s {ST/10-1 080262}
McAlpine, Kenneth, Miranda, Eduardo, Hoggar, Stuart (1999). Making Music with Algorithms: A Case-Study System
Monro, Gordon (1997). This is Art, Not Science
Pope, Stephen Travis (1993). Real-Time Performance via User Interface to Musical Structures
Roads, Curtis (1996b). Materials and Montage in {Clang-tint}
Rodet, Xavier (1991). What Would We Like to See Our Music Machines Capable of Doing?
Spiegel, Laurie (1989). Distinguishing Random, Algorithmic, and Intelligent Music
Supper, Martin (2001). A Few Remarks on Algorithmic Composition
Vaggione, Horacio (2001). Some Ontological Remarks about Music Composition Processes
Vaggione, Horacio (2002). Décorrélation microtemporelle, morphologies et figurations spatiales
Waschka II, Rodney (1992). Computer-Assisted Composition and Performance: The Creation of {A Noite, Porém, Rangeu E Quebrou}
Woolf, Sam, Yee-King, Matthew (2003). Virtual and Physical Interfaces for Collaborative Evolution of Sound
ZARIPOV, Rudolf Chafizovic (1985). Musica con il calcolatore. Le regole matematiche della composizione (Music with computers. The mathematical rules of composition - second edition)


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