A concept used increasingly in describing electroacoustic work in which ’layers’ of sound (or sound types) are developed throughout a work, normally at a density whereby the listener can follow each layer. This form of horizontal thinking might be seen to be the equivalent of counterpoint in, for example, Renaissance music.
Bibliography: ASUAR, José Vicente (1972a). Música con Computadores: ¿cómo hacerlo..?
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