Sound Production and Manipulation [SPM]  >  Synthesis and Resynthesis Techniques  ]

Can be freely translated as riding sound waves: a form of cross-synthesis applied algorithmically by Klarenz Barlow. An input sound file is manipulated (e.g., amplitude following) by a second sound source. (Source - Klarenz Barlow "Methoden algoritmischer Klangerzeugung anhand eigener Arbeiten: von Klanglomeration und Schallwellenreiten zu Synthrumentation und Spektastik", in Jörg Stelken and Hans G. Tillmann, eds. KlangForschung ’98. Saarbrücken: Pfau, 67-82.)


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Alphabetical order - Chronological order

Barlow, Klarenz (1999). Methoden algorithmischer Klangerzeugung anhand eigener Arbeiten: Von Klanglomeration und Schwallwellenreiten zu Synthrumentation und Spektastik (Methods of Sound Synthesis based on my own works - [followed by his own untranslatable new terms]