Disciplines of Study [DoS]  ]

The word denotes the discipline focused on the study of the physics of sound, of the behaviour of sound in various media and environments.


See also:





- Introduction à l’histoire et à l’esthétique des musiques électroacoustiques: Session 1 - Quelques réflexions sur les relations entre le son et la musique ( French )



English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Appleton, Jon H., Perera, Ronald C. (1975). The Development and Practice of Electronic Music
Bateman, Wayne A. (1980). An Introduction to Computer Music
Battier, Marc (1990). Les principaux centres de recherche musicale aux Etats-Unis
Blesser, Barry, Salter, Linda-Ruth (2006). Spaces Speak, Are You Listening? Experiencing Aural Architecture
Chion, Michel (1983). Guide des objets sonores, Pierre Schaeffer et la recherche musicale
Chion, Michel (1998). Le son
Cipriani, Alessandro, Giri, Maurizio (2010). ELECTRONIC MUSIC AND SOUND DESIGN: Theory and Practice with MaxMSP
Davis, Deta S. (1988). Computer Applications in Music: A Bibliography
Dodge, Charles, Jerse, Thomas A. (1985). Computer Music Synthesis, Composition, and Performance
Ernst, David (1972). Musique Concrète
Heikinheimo, Seppo (1972). The Electronic Music of Karlheinz Stockhausen. Studies on the Esthetical and Formal Problems of its First Phase
Howe, Hubert S. (1975). Electronic Music Synthesis
Kimura, Mari (1995). Performance Practice in Computer Music
Levé, Frédéric (1987). La création musicale par ordinateur
Loizillon, Guillaume (1998). L’analyse et la synthèse sonore : un point de vue musical sur le son
MacCormac, Sylvi (1999). Reflections on Hildegard Westerkamp’s Talking Rain
Naumann, Joel, Wagoner, James D. (1985). Analog Electronic Music Techniques: In Tape, Electronic, and Voltage-Controlled Synthesizer Studios
PAVÓN SARRELANGUE, Raúl (1981). La Electrónica en la Música ... y en el Arte (Electronics in Music ... and the Arts)
RISSET, Jean-Claude (1986b). Arte e scienza: musica elettroacustica numerica (Arts and Science: Digital electroacoustic music)
Risset, Jean-Claude (1999c). Évolution des outils de création sonore
ROEDERER, Juan G. (1979). Introduction to the Physics and Psychophysics of Music
Saariaho, Kaija, Hoitenga, Camilla, Karttunen, Ansi, Barrière, Jean-Baptiste, Stoianova, Ivanka, Mathieu, Jean-Baptiste (1999). Prisma
Schaeffer, Pierre (1977). Traité des objets musicaux
SCHAEFFER, Pierre (1988). Tratado de los Objetos Musicales (traducción del original en francés, Traité des objets musicaux [version abrégée], por Araceli Cabezón de Diego)
Schaeffer, Pierre, Reibel, Guy, Ferreyra Beatriz, (1998 (1967)). Solfège de l’objet sonore
Sear, Walter (1972). A Guide to Electronic Music and Synthesizers
Slawson, Wayne A. (1975). Sound, Electronics, and Hearing
TENNEY, James C. (1965). Die physikalischen Korrelate der Klangfarbe (The physical correlates of timbre)
Ungeheuer, Elena (1999). Musikaliche Experimente in der musikwissenschaftlichen Forschung: Werner Meyer-Eppler und die elektronische Musik (Musical experiments in musicological research: Werner Meyer-Eppler and electronic music)
XENAKIS, Iannis (1957). Le Corbusier’s‚ {Elektronisches Gedicht} - Philips Pavillon der Brüsseler Weltausstellung, 1958 (Le Corbusier’s {Electronic Poem} - For the Philips Pavilion at the Brussels World Exposition, 1958)




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