Disciplines of Study [DoS]  ]

This vast discipline of study appears here as an umbrella term to include research into the use of functional systems (i.e. computers) to perform arithmetical, logical and data processing operations. Research in computing is pertinent to electroacoustic music not only in terms of the development of tools for its creation, and more recently dissemination, but also in the development of paradigms for musicology, analysis, education, and sister fields such as acoustics, psychoacoustics, music psychology, virtual reality, articificial intelligence, cognitive science, amongst many others. The networking of computers has led to recent developments in Interactivity and Internet Music.




- Digital Music online course: Seminars on Digital Music ( English )



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Alphabetical order - Chronological order

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Pennycook, Bruce W. (1985). Computer-Music Interfaces: A Survey
Pottier, Laurent (1999). Contrôle interactif d’une voix chantée de synthèse
Pottier, Laurent, Stalla, Olivier (2000). Interpretation and Space
Risset, Jean-Claude (1985b). Digital Techniques and Sound Structure in Music
Risset, Jean-Claude (1999c). Évolution des outils de création sonore
Roads, Curtis (1986b). The Tsukaba Musical Robot
Roads, Curtis (1992a). Composition with Machines
Roads, Curtis (1992b). Des instruments pour un son organisé
Roads, Curtis (1996c). The Computer Music Tutorial
Roads, Curtis, Pope, Steven Travis, Piccialli, Aldo, Poli, Giovanni De (Eds.) (1997). Musical Signal Processing
Rowe, Robert (1993). Interactive Music Systems: Machine Listening and Composing
Schaeffer, Pierre (1971). De l’expérience musicale à l’expérience humaine
Schrader, Barry (1991). Live/Electro-acoustic Music - a Perspective from History and California
Tarabella, Leonello (2004). Improvising Computer Music: An Approach
Tempelaars, Stan, Koenig, G.M. (1972). The Computer at the Institute of Sonology, Utrecht
Teruggi, Daniel (1995). Les développements de la recherche informatique au Groupe de recherches musicales de l’Institut national de l’audiovisuel (INA-GRM)
Teruggi, Daniel, Dunkelman, Stefan, Coppe, Dimitri (1997). Daniel Teruggi, directeur INA-GRM
Traub, Peter (2005). Sounding the Net: Recent Sonic Works for the Internet and Computer Networks
Truax, Barry (1991). Capturing Musical Knowledge in Software Systems
Wanderley, Marcelo, Orio, Nicola (2002). Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI
Wessel, David, Wright, Matthew (2002). Problems and Prospects for Intimate Musical Control of Computers
Wick, Robert L. (1997). Electronic and Computer Music. An Annotated Bibliography
Wiggen, Knut (1972). The Electronic Music Studio at Stockholm, its Development and Construction
Xenakis, Iannis (1985). Music Composition Treks
Ystad, Sølvi (1999). De la facture informatique au jeu instrumental




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