Disciplines of Study [DoS]  ]

This vast discipline of study appears here as an umbrella term to include research into the use of functional systems (i.e. computers) to perform arithmetical, logical and data processing operations. Research in computing is pertinent to electroacoustic music not only in terms of the development of tools for its creation, and more recently dissemination, but also in the development of paradigms for musicology, analysis, education, and sister fields such as acoustics, psychoacoustics, music psychology, virtual reality, articificial intelligence, cognitive science, amongst many others. The networking of computers has led to recent developments in Interactivity and Internet Music.




- Digital Music online course: Seminars on Digital Music ( English )



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Alphabetical order - Chronological order

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Allouis, Jean-François, Delalande, François (1976). Syter
Allouis, Jean-François, Delalande, François (1986). Syter et le temps réel
Appleton, Jon H., Perera, Ronald C. (1975). The Development and Practice of Electronic Music
Arveiller, Jacques, Battier, Marc, Englert, Giuseppe G. (1976). A Computer Music Repertory
Barrière, Jean-Baptiste (1992). Le sensible et le connaissable
Bateman, Wayne (1980). Introduction to Computer Music
Battier, Marc (1995b). Entre l’idée et l’œuvre: parcours de l’informatique musicale
Battier, Marc (1995c). Europe, avis de recherche
Battier, Marc (2002a). De la phonographie à la lutherie numérique. L’épiphanie du son artificiel
Becker, Barbara, Eckel, Gerhard (1996). On the Use of Computer Systems in Contemporary Composition
Bel, Bernard (1999). Portrait of an Extraterrestrian
Bischoff, John, Gold, Rich, Horton, Jim (1978). Music for an Interactive Network of Microcomputers
Blanc, Christophe (1993). L’empire du logiciel
Brün, Herbert (1989). Composer’s Input Outputs Music
Burton, Anthony R., Vladimirova, Tanya (1999). Generation of Musical Sequences with Genetic Techniques
Buxton, William (1978). Computers and the Composer: an Introductory Survey
Cadennes, Michel (1998). Comment CyberCircé mène les petits cochons roses
Camurri, Antonio, Leman, Marc (1997). AI-based Music Signal Applications - A Hybrid Approach
Chadabe, Joel (1972). Le principe du voltage-control et ses implications pour le compositeur
Chowning, John, Gayou, Évelyne (2005). Entretien entre John Chowning et Évelyne Gayou
Chowning, John, Roads, Curtis (1985). John Chowning on composition
Corino, Gianni, Miranda, Eduardo Reck (2003). Digital Music: online tutorials on computer music
Couturier, Jean-Michel (2004). Etheraction: Playing Musical Piece Using Graphical Interfaces
Cuzzucoli, Giuseppe, Lombardo, Vincenzo (1999). A Physical Model of the Classical Guitar, Including the Player’s Touch
Dannenberg, Roger B. (1996). A Perspective on Computer Music
Dannenberg, Roger B. (2005). Interactive Visual Music: A Personal Perspective
Davis, Deta S. (1988). Computer Applications in Music: A Bibliography
Di Scipio, Agostino (1995c). On Different Approaches to Computer Music as Different Models of Compositional Design
Di Scipio, Agostino (1996). Interactive Composing with Granular Time-shifting of Sound
Doornbusch, Paul (2004). Computer Sound Synthesis in 1951: The Music of CSIRAC
Essl, Georg, Serafin, Stefania, Cook, Perry R., Smith, Julius O. (2004). Theory of Banded Waveguides
Essl, Georg, Serafin, Stefania, Cook, Perry. R., Smith, Julius. O. (2004b). Musical Applications of Banded Waveguides
Fatus, Claude (1993). la station d’informatique musicale
Favreau Emmanuel, Iger, Anne-Claude, (2002). Entretien avec Emmanuel Favreau
Fournier, Daniel (1992). L’instrument de l’inouï
Genuys, François (1990). L’informatique musicale
Gerzso, Andrew (1992a). De nouveaux environnements musicaux
Gerzso, Andrew (1992b). Paradigms and Computer Music
Geslin, Yann (2001). Le studio 123
Haynes, Stanley (1982). The Computer as a Sound Processor: A Tutorial
Karjalainen, Matti, Valimaki, Vesa (1998). Plucked-String Models: From the Karplus-Strong Algorithm to Digital Waveguides and Beyond
Koblyakov, Lev (1992). Score/Music Orientation: An Interview with Robert Rowe
Koenig, Gottfried Michael (1979). {Projekt Eins} - Modell und Wirklichkeit ({Projekt Eins} - Model and reality)
Kronland-Martinet, Richard, Voinier, Thierry, Guillemain, Philippe (1999). Agir sur le son musical avec la baguette radio
Küpper, Léo (1998). Expérimentations et prospections
Laliberté, Martin (1993). Informatique musicale : utopies et réalités 1957-1990
Laubier, Serge de (1998). The Meta-instrument
Levé, Frédéric (1987). La création musicale par ordinateur
Loy, Gareth (1981). The Composer Seduced into Programming
Loy, Gareth (1989). Composing with Computers - A Survey of Some Compositional Formalisms and Music Programming Languages
Maillard, Benedict (1981). Un studio numérique de travail sur le son
Mailliard, Bénédict (1986). À la recherche du studio musical
Marino, Gérard, Serra, Marie-Hélène, Raczinski, Jean-Michel (1993). The UPIC System: Origins and Innovations
McAlpine, Kenneth, Miranda, Eduardo, Hoggar, Stuart (1999). Making Music with Algorithms: A Case-Study System
Merlier, Bertrand (2002c). Qu’est-ce que l’informatique musicale ?
Merlier, Bertrand (2005). Réflexion à propos de la mise en espace de la musique électroacoustique dans les logiciels audionumériques
Miranda, Eduardo Reck (1994). From Symbols to Sound: AI-based Investigation of Sound Synthesis
Miranda, Eduardo Reck (2001). Composers and Computer Music Technology in Brazil
Palombini, Carlos (2000). The Brazilian Group for Computer Music Research: A Proto-History
Pellegrino, Ronald (1983). The Electronic Arts of Sound and Light